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Mat Jodrell

Trumpeter Mat Jodrell is one of the most exciting voices in Jazz today. He has recently returned to Australia after having lived in New York City for the past eight years, performing around the city and teaching at the prestigious Juilliard School of Music.

During his time in the States, Mat was a regular member of many ensembles, all of whom he has recorded with. They include Miguel Zenon’s ‘Identities’ Ensemble, Ryan Truesdell’s Gil Evans Project (both Grammy nominated in 2016), Lucas Pino’s No Net Nonet, the Vanguard Jazz Orchestra, Miho Hazama’s M-Unit, Kenny Werner’s ‘No Beginning, No End’, Pedro Giraudo’s Expansions Ensemble, Jon Batiste Band, the Birdland Big Band, the Bill Mobley big band, the Dan Jamieson big band and many others.

Since re-locating to the US Mat has had the opportunity to perform with the likes of Benny Golson, Ron Carter, Herbie Hancock, Branford Marsalis, Buster Williams, Hubert Laws, Maria Schneider Orchestra, the Mingus Big Band, James Spaulding, Carl Allen, Terri-Lyn Carrington, Bill Watrous, Gary Bartz, Terence Blanchard, Darcy James Argue, Josh Roseman to name but a few. Between 2008 and 2012 Mat has performed regularly on Broadway with the shows ‘Hair’ and ‘After Midnight’ and continues to work with legendary singer Paul Anka with whom he has toured throughout Europe, Russia, Asia, South America and the Middle East.

He has performed in many of the world’s most famous jazz clubs in New York City including the Vanguard, Blue Note, Dizzy’s Club Coca-Cola, Birdland, Smoke, Smalls, Zinc and the Iridium, as well as touring to many of the largest festivals including the Newport Jazz Festival, the New Orleans Jazz & Heritage Festival, the Detroit Jazz Festival and many others.

Mat completed his Masters of Music and Artist Diploma from the Juilliard School of Music, and was on faculty from 2011-2015. He continues to tour the world as leader, sideman and guest soloist. Recent tours have included a three week residency at the Dizzy’s Jazz Club in Doha, Qatar and guest soloist with the West Australian Youth Jazz Orchestra.

As part of the Juilliard Artist Diploma ensemble, Matthew recorded an album of original music with trombonist Wycliffe Gordon, performed a concert with the legendary Ron Carter, recorded live on WBGO twice, and traveled to Brazil, Costa Rica, Guatemala, El Salvador, Australia and throughout the US.

Since 2015 Mat has taught at the newly formed James Morrison Academy of Music located in Mount Gambier, South Australia. He lectures in Improvisation, Big Band, Small Ensemble, Arranging and Principal Study.

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21
Album Review

Albare: Eclecticity

Read "Eclecticity" reviewed by Jack Bowers


On Eclecticity, his 17th recording as leader of his own groups, Moroccan-born Australia-based guitarist Albare (given name: Albert Dadon) uses, for the most part, members of his working groups, the Alchemists and Harmonix Experiment, to help him plumb jazz tradition and breathe life into 10 of his distinctive yet custom-tailored compositions and arrangements. As a rule, Albare favors strong mid-tempo rhythms that meld emphatically behind sporadic solo commentary by trumpeter Mat Jodrell, saxophonist Phil Noy, pianist Phil ...

Album Review

Ryan Truesdell: Shades of Sound

Read "Shades of Sound" reviewed by Angelo Leonardi


Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...

5
Album Review

Ryan Truesdell / Gil Evans Project: Shades Of Sound

Read "Shades Of Sound" reviewed by Jack Kenny


Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...

6
Album Review

Ryan Truesdell: Shades Of Sound

Read "Shades Of Sound" reviewed by Pierre Giroux


Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...

Album Review

Sam Anning: Earthen

Read "Earthen" reviewed by Alberto Bazzurro


Una musica largamente composta, molto intenzionale, come amiamo dire in questi casi, forse qua e là persino troppo “abbottonata," nel senso di priva delle necessarie (o quanto meno opportune, auspicabili) aperture, improvvisative ma forse prima ancora emotive, e in ogni caso di sicuro valore e interesse, è quanto ci arriva da questo nuovo lavoro del contrabbassista australiano Sam Anning, già firmatario di una dozzina di album a suo nome. Vi aleggia un descrittivismo molto educato, levigato, senza ...

2
Album Review

Sam Anning: Earthen

Read "Earthen" reviewed by Jerome Wilson


Sam Anning spent three years as bassist for Archie Roach, an Indigenous Australian singer-songwriter who championed the rights of that country's Aboriginal people. Roach passed away in 2022 and this album is Anning's tribute to him, a set of original works that carry forth the inner strength and understated force of Roach's music. Anning's compositions are unhurried and contemplative. They resemble classic ECM sounds but with a warmer, more intimate vibe. Throughout the album Andrea Keller's piano leads ...

Album Review

Vanessa Perica: The Eye is the First Circle

Read "The Eye is the First Circle" reviewed by Angelo Leonardi


Il secondo album della compositrice e bandleader australiana Vanessa Perica, conferma le aspettative suscitate dall'impressionante debutto del 2020 Love Is a Temporary Madness che le ha portato numerosi riconoscimenti in patria e all'estero, con recensioni superlative della massime riviste specializzate. Entro le coordinate espressive del modern mainstream orchestrale, Vanessa mostra una scrittura avvincente, che alterna momenti ritmicamente trascinanti a sequenze d'ampio respiro, timbricamente ricercate. Entro smaglianti orchestrazioni ricche di trascinanti riff, lunghi pedali e scontri di sezioni, i ...

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152
Looking For...

Stolen Horn

Stolen Horn

Source: All About Jazz

ALL POINTS BULLETIN! Australian musician Matthew Jodrell has had his instruments mugged off the NYC subway.

An Inderbinen Wood flugel, a Bach 72 trumpet with brushed lacquer, a Reunion Blues triple leather case, mutes and mouthpieces.

If you see them please email him at [email protected] or call the police - check pawn brokers near you if you have a chance. Thank you

Matt is an Amazing player! Don't let him be with out a horn for too long! ...

“The first time I heard Mat Jodrell play as a very young man, I was struck by two things; his seemingly effortless and unconstrained crossing between styles and his stark originality. Here was a young player that could authentically re-create the ethos of early traditional jazz while still sounding fresh, in the next breath he would tip his hat to post-modern cool and was completely at home with fusion of any sort. Far from making for a clever but directionless wanderer, this all somehow had a cohesion that I can only attribute to Mat’s innate musicality and passion for all that he plays.”

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Primary Instrument

Trumpet

Location

New York City

Willing to teach

Advanced only

Credentials/Background

Taught at the Conservatorium of Music in WA (WAAPA) from 2002 to 2008 as a private instructor for Trumpet and Piano, and also group Improvisation class of 20-30 students. This was at an undergraduate level.

Also taught Trumpet, Piano and Jazz Theory classes privately to students of all ages.

Rates: $60 per hour, $30 per half-hour

Photos

Music

Recordings: As Leader | As Sideperson

Shades of Sound

Outside in Music
2025

buy

Eclecticity

Self Produced
2025

buy

Earthen

Earshift Music
2024

buy

Oaatchapai

Earshift Music
2021

buy

Love is a Temporary...

Self Produced
2020

buy

Antiquity

From: That's a Computer
By Mat Jodrell

Videos

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