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Maxim Lubarsky

Maxim Lubarsky is a virtuoso pianist known for his stylistic versatility and musicality, making him one of the most sought-after players. A native of Odessa, Ukraine, he began his classical piano education at age 7 at the renowned Stolyarsky School of Music under the mentorship of his father, a renowned pianist and faculty member. He later studied with Evilina Kovalenko at the Odessa State Conservatory, where he earned his master’s degree. During his conservatory years, he founded the jazz group Art Session, touring extensively across Europe while maintaining an active classical performance career with solo recitals and orchestral engagements.

Following his passion for jazz, Lubarsky moved to the U.S. to study at Berklee College of Music, learning from legendary mentors including Joanne Brackeen, Danilo Pérez, Hal Crook, and Joe Lovano. He was awarded the BEST scholarship and the Berklee Technics Piano Award in 2002.

Lubarsky has recorded and performed with world-class artists such as Terri Lyne Carrington, Dave Samuels, Greg Osby, E.J. Strickland, Gabrielle Goodman, Dave Liebman, and Tiger Okoshi. He co-leads the Macayú Jazz Chamber Trio, TRIAD Laton Jazz Trio and leads the Maxim Lubarsky Quartet. He also pianist and music director with Gabrielle Goodman.

His festival appearances include the St. Petersburg Music Fest (Russia), Spoleto Festival (SC), Beantown Jazz Festival(MA), Diacetum Festival (Italy), Usadba Jazz Festival (Russia), ArtNaples Festival (FL), and Cambridge Jazz Festival(MA), Black Sea Jazz Weekend (Ukraine) among others.

Lubarsky’s recordings include Explorations in Sound (with Gabriela Martina), IntimatelyThe Macayú TrioI’ll Be AroundMusical JourneyC’est Si Bon – Live at The BPCUnsaid, and Brazilia: Live at the Pump House – Celebrating Wayne Shorter to name a few.

He continues to perform actively in Boston, New York, and internationally, and has given masterclasses in China, South Africa, and Russia. Maxim Lubarsky is an Associate Professor in the Piano Department at Berklee College of Music.


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30
Album Review

Dan Moretti and Brazilia: Live at the Pump House/Celebrating Wayne Shorter

Read "Live at the Pump House/Celebrating Wayne Shorter" reviewed by Jack Bowers


While everyone has ideas, some ideas are admittedly better than others. Saxophonist Dan Moretti and Brazilia's notion to salute the music of Wayne Shorter by reshaping and Latinizing eight of the legendary saxophonist's splendid compositions was a good idea. Doubters need only survey the finished product, recorded in front of an enthusiastic audience in December 2024 at The Pump House Music Works in Wakefield, Rhode Island. Shorter's unique and engaging melodies, several of which are now enshrined ...

3
Album Review

The JCA Orchestra: Live At The BPC

Read "Live At The BPC" reviewed by Jerome Wilson


The JCA Orchestra has been an important part of the Boston jazz scene since it formed in 1985. Several of its recordings are dominated by the compositions of its leader, Darrell Katz, but this live concert from the Berklee Performance Center features works by several orchestra members other than Katz and gives a fuller picture of the orchestra's range. Violinist Mimi Rabson contributes two atmospheric pieces. “Romanpole" is a musical culture clash inspired by the period when the ...

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Music

Recordings: As Leader | As Sideperson

Live at the Pump...

Self Produced
2025

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Explorations in Sound

Self Produced
2025

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Strange Times

Self Produced
2024

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Homage to Gramlis

Self-Produced
2023

buy

Unsaid

Next Level
2020

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Live At The BPC

JCA Recordings
2020

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Rothko Sketches

From: Strange Times
By Maxim Lubarsky

Gone Tree

From: Homage to Gramlis
By Maxim Lubarsky

Numbers

From: Unsaid
By Maxim Lubarsky

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