As a young guitar prodigy, Julian Lage
often went to gigs at the Bay Area jazz club Yoshi's. There he would sit up front, put his head on stage and watch admiringly. Backing his early heroes at Yoshi's were two musicians who now form a trio with Lage. Double bassist Scott Colley
and drummer Kenny Wollesen
performed on Lage's 2016 album Arclight
(Mack Avenue Records) to wide acclaim. The threesome reunites here for Modern Lore
, with Lage's friend and collaborator Jesse Harris
Nowadays it's others who lean close to the stage and gaze enrapt at Lage. Collusions with the likes of Chris Eldridge
and Nels Cline
have seen him mixing bluegrass, pop and jazz, with a hint of classical, even avant-garde. But whereas Arclight
found Lage delving into early twentieth century tunes, Modern Lore
seeks out the very foundations of rock music and digs deep.
The acoustic guitar having been his early tool of choice, Lage indulges a love of the Telecaster here, like he did on Arclight
. The sound has an unfussy clarity, as if Lage is playing your living room with his Fender and a home-made amp. The work of Chicago-based Bill MacKay
often comes to mind when Lage finds a similar purity of melody. The two also share a style of lucid strumming, where each crotchet or quaver really counts for something.
So to the album's title, Modern Lore
. This more than hints at the present-day mixing with a sense of learning. Opening cut "The Ramble" bears this out, when a strutting bass intro and rattling rhythm sticks give way to Lage in B.B. King
mode. Catchy bluesy chords lead to a pinging solo, with notes so sparkling they might be freshly dew-dropped. You also get a hint of fuzzed-up Jimmy Page
and John Abercrombie
's pure picking. Retro this is not, refined it certainly is. Julian Lage is the ultimate jazz curator, with history in his fingertips. He conjures bygone eras, shakes off their dust, then hands you them anew.
"Atlantic Limited" escorts you down a sultry sidewalk, before "General Thunder" kicks in with a straight 4/4 solid rhythm. Despite this unvaried upbeat, Lage offers something close to what John McLaughlin
once called a 'sadjoy' state of being, via a series of pensive refrains.
Each cut brings something new to the party. "Roger The Dodger" mixes funky chords and refined solos, "Wordsmith" rumbles into true rock 'n' roll and "Revelry" is like the air of a folk ballad. More revelations come on "Earth Science" when Lage seems to drill his fretboard into your very core with metallic rigour.
Tagging this collection as some kind of 'jazz-rock' outing would be simplistic and gruff. For sure it moves Lage into new arenas, but when did he ever remain static? Modern Lore
is a perfect paean to the electric guitar and all its sensual traditions.
The Ramble; Atlantic Limited; General Thunder; Roger The Dodger; Wordsmith;
Splendor Riot; Revelry; Look Book; Whatever You Say, Henry; Earth Science; Pantheon.
Julian Lage: guitars; Scott Colley: bass; Kenny Wollesen: drums, vibraphone; Tyler Chester: keyboards; Jesse Harris: maracas, casio, acoustic guitar.
FOR THE LOVE OF JAZZ
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles
for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today