Home » Jazz Articles » Album Review » John Cipolla and Doc Livingston: Misbehavin

138

John Cipolla and Doc Livingston: Misbehavin

John Cipolla and Doc Livingston: Misbehavin
Listeners entertained by the Buddy DeFranco/Dave McKenna Concord recordings, You Must Believe in Swing (1997) and Do Nothing Till You Hear From Us! (1999), will be delighted with John Cipolla and Doc Livingston's Misbehavin'. Cipolla is the erstwhile leader on this duet recital with pianist/clarinetist Doc Livingston at Bowling Green's Western Kentucky University, where Cipolla is an assistant professor of music.

The recital is made up of twelve standards, all from the earlier part of the 20th Century. To his credit pianist Livingston goes easy on the stride piano, instead opting for a more middle-of-the-road approach in supporting Cipolla's playing. Livingston is gracious and empathic with Cipolla, revealing an ongoing simpatico the two have enjoyed for several years. The recital is the type of mainstream jazz performance that is well-behaved (regardless of the title). Disc highlights include the opening, "Moon Ray, "Willow Weep for Me, and "You'd be So Nice to Come Home To. The principles provide an easy swing, with an effortless momentum coming from the comfort of the performers.

While these previously mentioned songs are considered highlights, the top of the heap belongs to the disc's two final pieces, "Lady Be Good and a reprise of "Ain't Misbehavin', both performed by Cipolla and Livingston playing clarinet. These songs could just as easily been performed for a classical audience as a winds duet. Some recordings simply have nothing wrong with them. This is one.

Track Listing

Moon Ray; On The Sunny Side Of The Street; Willow Weep For Me; It Don

Personnel

John Cipolla: clarinet; Doc Livingston: piano, clarinet.

Album information

Title: Misbehavin | Year Released: 2007 | Record Label: Self Produced

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.