Home » Jazz Articles » Album Review » Eugene Marlow: Making the Music Our Own
Eugene Marlow: Making the Music Our Own
The jazz trio reinterprets Hatikva, Israel's national anthem, with an "All Blues mood that swings lightly in three. Marlow's percussive piano gives the piece a majestic texture, while bass and drums exert a propelling force, driving the revered theme forcefully with a lively, foot-tappin' rhythm that comes alive in its jazz trappings.
Darmon Meader's tenor gives "Heiveinu Shalom Aleichem a rich, romantic luster that breezes lightly over the arrangement's smooth bossa nova foundation. Guitarist Gary Schwartzman adds a fine contemporary spirit. Similarly, "Avinu Malkeinu brings an exotic mood to the forum with tenor and guitar serving graceful melodic themes over a lively rhythmic foundation. Marlow digs down deep for a low bass accompaniment that broils with emotional fervor.
The moody "Afa Hu Hashem features Meader's soprano and warms the heart. All spiritual music works that way, and Marlow ensures that his jazz treatment remains solemn. He closes with a straight-ahead, bebop-driven "Hinei Ma Tov, which swings with a positive aura. The interpretation, which somewhat resembles "Love for Sale, features a lovely piano interlude that sizzles with a loose, casual attitude. Marlow and Meader close it up while trading fours in the standard jazz practice. By interpreting melodies from the Hebraic songbook in a mainstream jazz format, Eugene Marlow has discovered an excellent application of universal communication. It works.
Visit Eugene Marlow on the web.
Track Listing
V
Personnel
Eugene Marlow
composer / conductorEugene Marlow: piano; Norm Lotz: bass (6-9); Gary Schwartzman: guitar (6-9); Darmon Meader: soprano saxophone, tenor saxophone (6-9); Barry Altschul: drums (6-9).
Album information
Title: Making the Music Our Own | Year Released: 2006 | Record Label: MEII Enterprises
About Eugene Marlow
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







