Home » Jazz Articles » Album Review » Satoko Fujii Four: Live in Japan 2004

Satoko Fujii Four: Live in Japan 2004

By Glenn Astarita
January 25, 2006
View read count

Pianist/composer Satoko Fujii looms as a modernist via her adventurous big band endeavors, side projects and longstanding trio, featured here. With the addition of freewheeling trumpeter Natsuki Tamura on certain tracks, the band enjoys some added depth. But this is a unit that is sharply focused, and in certain instances it conveys the epitome of classic jazz improvisation, dappled with a free-form edge. Nonetheless, the musicians seemingly have loads of fun by cleverly deconstructing motifs amid some razzle-dazzle and Fujii's cascading crescendos.

Contrasts abound on this democratic engagement where soloists share equal ground. Bassist Mark Dresser and drummer Jim Black provide a limber foundation as they partake in the often frisky jabs and explorative four-way dialogues. At times, the trio expands and contracts fragmented themes. However, most of these works are built upon pumping grooves to complement moments of near quietude. On "Looking out of the Window, Tamura renders yearning lines, nicely counterbalanced by Fujii's intuitive countermeasures. Black subtly accelerates the overall momentum with his up-tempo brush work as the band culminates the proceedings with a grandiose and irrefutably explosive finale. The trio projects gobs of power, wit, technical excellence and extraordinary communication. Don't let this one slip away...

Visit Satoko Fujii on the web.

Track Listing

Ninepin; Illusion Suite; Looking out of the Window; An Insane Scheme.

Personnel

Satoko Fujii

piano

Natsuki Tamura: trumpet; Satoko Fujii: piano; Mark Dresser; bass; Jim Black: drums.

Album information

Title: Live in Japan 2004 | Year Released: 2006 | Record Label: Polystar

PREVIOUS / NEXT

Jack Sheldon Quintet: Sunday Afterno...
< Previous

Elaboration
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.