Martial Solal: Live at the Village Vanguard: I Can't Give You Anything But Love

Now in his 80s, his performances take on the aire of a grand event. As such, it is fitting that his October 12, 2007 solo appearance at New York City's Village Vanguard was captured and released as Live at the Village Vanguard: I Can't Give You Anything But Love. His previous live recording at the Vanguard, NY1: Live at the Village Vanguard (Blue Note, 2003) was met with much adulation as was the show that generated it in the wake of September 11, 2001.

Relaxed and amiable, Solal banters with the crowd in his French-accented English, explaining that they both must be good as he is making a live recording. He then proceeds to stroll through a recital of seven standards are two original compositions in what can only be described as in a very post-modern, deconstructionist manner. His command of the material is paradoxically dense and atomized with playing that betrays a knowledge of all styles of jazz piano, which he picks and chooses to employ at his creative whim. That "whim" is very informed. "On Green Dolphin Street?" he turns the familiar melody inside out, re- harmonizing and redefining the piece well beyond its early 20th Century origins.

Solal transforms the interrogative "Lover Man" into a declarative statement of fact and strains the brains of Thelonious Monk's "'Round Midnight" through modernity's defining sieve, exposing all of the soft underparts Monk didn't. Solal extends the language of Monk further than any other pianist. His two original compositions, "Centre De Gravite" and "Ramage" are no less compelling, acting as an extension of Solal's artistic command. Live at the Village Vanguard: I Can't Give You Anything But Love is as perfect a jazz recording as we could hope for. Few giants remain, so let us honor Martial Solal.

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