Results for "Martial Solal"
Martial Solal (born August 23, 1927 in Algiers, Algeria) is a French jazz pianist and composer, who is probably most widely known for the music he wrote for Jean-Luc Godard's debut feature film À bout de souffle (1960). Solal was the son of an opera singer and piano teacher, who learnt the instrument from the age of six, settling in Paris in 1950. He soon began working with leading musicians including Django Reinhardt and expatriates from the United States like Sidney Bechet and Don Byas. He formed a quartet (occasionally also leading a big band) in the late 1950s, although he had been recording as a leader since 1953. Solal then began composing film music, eventually providing over twenty scores. In 1963 he made a much admired appearance at the Newport Jazz Festival in Rhode Island; the Newport '63 album purporting to be a recording of this gig is actually a studio recreation
Label: Jazzline Classics
Track listing: West Coast Blues; Four On Six; Last Of The Wine; Here’s That Rainy Day; Opening 2; Blue Grass; Blue Monk; The Leopard Walks; Twisted Blues; West Coast Blues (Encore).
by Luciano Rossetti
My interview (Seeing Jazz: The Photography of Luciano Rossetti) with Karl Ackermann was published earlier this week. Here are some additional photos of mine that I wanted to share. Over the course of my career I have had the pleasure of photographing some of the greatest jazz musicians in the world including Anthony Braxton, ...
by Chris May
Recorded in spring 1965, during Wes Montgomery's sole European tour, The NDR Hamburg Studio Recordings presents the guitarist as part of an all-star international octet assembled for a one-off appearance on German television station NDR. The programme was part of a series presenting musicians who did not regularly work together in informal rehearsal" performances. Montgomery's tour, ...
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Manuel Rocheman comes from a family of musicians. On his mother’s side, his grandmother is a piano teacher, his grandfather a flautist, his mother plays cello and viola and his aunt the violin. His father, Lionel Rocheman (guitarist and actor), created the “Hootenanny” at the American Center in Paris, where performers came from around the world. As a 10 year old his brother gave him a wonderful record of Oscar Peterson playing solo (it was ‘Tracks’); Manuel already had his own track-record of four years of piano. Listening to the Canadian virtuoso gave him a great feeling of freedom and made him want to go down the same road
Track listing: Have You Met Miss Jones?; Medley Duke Ellington: Caravan, Prelude To A Kiss, Sophisticated Lady, Satin Doll, Take The "A" Train; Sir Jack; Coming Yesterday; Köln Duet; My One And Only Love; Body And Soul; Night And Day; Marche Turque; All The Things You Are; Night In Tunisia; Tea For Two; Sir Jack; Interview.