13

Colin Vallon Trio: Le Vent

John Kelman By

Sign in to view read count
Colin Vallon Trio: Le Vent When Bill Evans emerged in the 1950s, he represented a paradigm shift for the jazz piano trio. No longer a lead instrument supported by a rhythm section, Evans' more egalitarian approach to music-making allowed delineated soloists to engage in a more fully conversational context, with any instrument capable of pushing the music in a new direction at any moment. Half a century later, Evans' influence can still be felt, but there's been further development, stripping away individual virtuosity and leaving only the collective sound of the trio. It's a tougher approach with which to connect for those used to hearing a defined soloist demonstrating his/her chops, even when the rest of the trio is engaging as equals rather than accompanists, but it opens music up to a completely different set of evocative possibilities than Evans' then-radical innovation could have envisaged.

Pianist Colin Vallon's Le Vent is an even stronger statement of such intent than his 2011 ECM debut, Rruga. Bassist Patrice Moret returns while the departing Samuel Rohrer is replaced by drummer Julian Sartorus, as Vallon assumes a greater compositional role; other than two improvised miniatures and Moret's opening "Juuichi"—which resumes the trio's exploration of repetition and slowly shifting motifs from Rruga, but this time with even greater focus and collaborative strength—all the compositions belong to the pianist. The two closing pieces may be collective, but fit within Le Vent's overall purview: "Styx," largely revolves around Moret's impressive ability to play a pedal tone with a bow while simultaneously delivering a spare pizzicato melody that interacts with the similarly minimal Vallon and texture-centric Sartorus, while Vallon's upper register phrases entwine with Sartorus' bells on "Coriolis" to create, over Moret's simply bowed line, the feeling of a soft but gradually intensifying rainfall.

Individual virtuosity may be subjugated to the sound of the collective whole, but it's what makes Le Vent such a powerful statement. There's beauty to be found in Vallon's exploration of various motivic narratives on "Immobile," with Sartorus bringing greater energy and drive to the trio, while on the opening two minutes of the title track, the drummer's adherence to color provides Vallon the freedom to evoke a softer majesty, before Moret joins and the trio again once again begins to evolve its slow, unpredictable shape-shifting. Vallon's iterative patterns are bolstered by Moret and Sartorus, only to dissolve once again, the pianist's final chord taking a full 23 seconds to decay to silence beneath Sartorus' gentle sound of metal on metal.

Those looking for the comfort of defined melody leading to solo excursions, followed by a return to thematic reiteration, should look elsewhere; Vallon's writing and the trio's approach represents something else entirely. But those prepared to surrender to the sound of three players engaging in a different kind of collective interaction—and a more obfuscated approach to defining form and its in-the-moment journey to places unknown—will find plenty to love about Le Vent, the inevitable consequence of Vallon and his trio's accelerating quest towards a likely unreachable conclusion, but with still greater confidence and commitment.

Track Listing: Juuichi; Immobile; Le Vent; Cendre; Fade; Goodbye; Le Quai; Pixels; Altalena; Rouge; Styx; Coriolis.

Personnel: Colin Vallon: piano; Patrice Moret: double bass; Julian Sartorus: drums.

Title: Le Vent | Year Released: 2014 | Record Label: ECM Records


Tags

Related Video

comments powered by Disqus

More Articles

Read Honey And Salt CD/LP/Track Review Honey And Salt
by Mark Corroto
Published: August 22, 2017
Read To the Bone CD/LP/Track Review To the Bone
by Geno Thackara
Published: August 22, 2017
Read Flesh & Bone CD/LP/Track Review Flesh & Bone
by Troy Collins
Published: August 22, 2017
Read Generations CD/LP/Track Review Generations
by Jerome Wilson
Published: August 22, 2017
Read 90 Going On Amazing CD/LP/Track Review 90 Going On Amazing
by Dan Bilawsky
Published: August 21, 2017
Read Let There Be Life, Love and Laughter CD/LP/Track Review Let There Be Life, Love and Laughter
by Victor L. Schermer
Published: August 21, 2017
Read "The Eighth Hour Of Amduat" CD/LP/Track Review The Eighth Hour Of Amduat
by Roger Farbey
Published: January 9, 2017
Read "Tied Together, Not to the Ground" CD/LP/Track Review Tied Together, Not to the Ground
by Geno Thackara
Published: July 9, 2017
Read "Nessuno" CD/LP/Track Review Nessuno
by Karl Ackermann
Published: December 30, 2016
Read "Message In Motion" CD/LP/Track Review Message In Motion
by David A. Orthmann
Published: October 27, 2016
Read "The Long Slog" CD/LP/Track Review The Long Slog
by Dave Wayne
Published: January 11, 2017
Read "It's Time" CD/LP/Track Review It's Time
by Hrayr Attarian
Published: August 31, 2016

Sponsor: JANA PROJECT | LEARN MORE  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.