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Soft Machine: Land of Cockayne
ByLand of Cockayne didn't start life as a Soft Machine album, and the personnel bears little connection to even its final live incarnation. It was, in fact, a solo album from Karl Jenkinskeyboardist and erstwhile reedman who, according to unforgiving fans of the "classic" Soft Machine line-up, was singularly responsible for the group's creative decline. Listening to Jenkins' Soft Machine albums, starting with Six (Sony, 1973), it may be true that the Nucleus alum's penchant for irregularly metered riff-er-amas, neoclassical anthems and hypnotic, Terry Riley-informed minimalism was considerably distanced from the group's earlier compositional complexities, brooding abstrusities and avant-leaning freedoms. Still, based on Bundles, Softs, and the recently unearthed group heard on NDR Jazz WorkshopHamburg, Germany May 17, 1973 (Cuneiform, 2010), Jenkins' writing was plenty compelling.
A marketing ploy, then, to bring attention to Jenkins' album by loaning it the Soft Machine monikerand one that largely backfired, the group's fan base a singularly unforgiving beast. On its own merits, nearly three decades later, it's by no means a masterpiece, but neither is it at all bad. Bringing back John MarshallSoft Machine's longest-tenured drummer after joining halfway through Fifth (Sony, 1972)and fellow Bundles alum Allan Holdsworth (largely relegated to session man status here, though he turns in characteristically fine solos on the simmering ballad, "Velvet Mountain," and fierier "Sly Monkey"), Cockayne is also notable for other heavyweight contributions from the British jazz scene, notably John Taylor who, hot off three ECM recordings with Azimuth, delivers an incendiary Fender Rhodes solo on one of the disc's longest tracks, "Panoramania."
Jenkins, playing a variety of synths including the relatively new Synclavier, creates a surprisingly broad palette for his recruits. Cream's Jack Brucewhose visceral fretless playing on the slow-disco groove of the opening "Over 'n' Above" is almost enough to get past its semi-cringe-worthy "nah nah nah" background vocalsis not quite Jaco Pastorius on the Weather Report-ish "Lotus Groves," but neither does the bassist need to be. And Ray Warleigh, who contributes some fine alto sax work throughout, brings the same ethereal bass flute to this disc's minimalist, trance-inducing "Palace of Glass" that he did to Bundles' similarly complexioned "The Floating World."
Not a Soft Machine album, then, and certainly not an appropriate swan song for the group. But with Jenkins' largely fusion-esque writing providing plenty of room for committed, structure-based soloing, and a rhythm section that brings it throughout, Land of Cockayne is an album that deserves to be reconsidered...and, ultimately, forgiven for what it's not and enjoyed for what it is.
Track Listing
Over 'n' Above; Lotus Groves; Isle of the Blessed; Panoramania; Behind the Crystal Curtain; Palace of Glass; Hot-Biscuit Slim; (Black) Velvet Mountain; Sly Monkey; A Lot of What You Fancy.
Personnel
Soft Machine
band / ensemble / orchestraKarl Jenkins: Synclavier synthesizer, Yamaha CS 80, Minimoog, piano; John Marshall: drums, percussion; Jack Bruce: bass; Ray Warleigh:alto saxophone, bass flute; Dick Morrissey: tenor saxophone; Allan Holdsworth: lead guitar; Alan Parker: rhythm guitar: John Taylor: Fender Rhodes; Tony Rivers: backing vocals; Stu Calver: backing vocals; John Perry: backing vocals.
Album information
Title: Land of Cockayne | Year Released: 2010 | Record Label: Esoteric Recordings
Comments
About Soft Machine
Instrument: Band / ensemble / orchestra
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