Results for "John Taylor"

John Taylor

John Taylor was born in Manchester (25th September 1942) and first came to the attention of the jazz audience in 1969 when he partnered saxophonists Alan Skidmore and John Surman. He was later reunited with Surman in the short-lived group Morning Glory and in the 1980’s with Miroslav Vitous’s quartet. In the early 1970s he was accompanist to the singer Cleo Laine and started to compose for his own sextet. John also worked with many visiting artists at Ronnie Scott’s club and later became a member of Ronnie’s quintet. In 1977 John formed the trio Azimuth, with Norma Winstone and Kenny Wheeler

The Octet Broadcasts 1969 and 1979

By ALAN WAKEMAN

Label: Gearbox Records
Released: 2020
Track listing: Disc One: Dreams; Forever; Merry-Go-Round. Disc Two: Chaturanga; Manhattan Variation; Vienna; Robatsch Defense; Kingside Breakthrough.

Patrick Cornelius: From ECM to Acadia National Park

By FRIEDRICH KUNZMANN

With a persistently active live and equally dynamic release schedule in his back pocket, alto saxophonist Patrick Cornelius continues to push the boundaries of the straight-ahead approach to jazz into a more modern context. Since his first recording as a leader—2006's self-released Lucid Dream featuring a cast of fellow Berklee College of Music Students from the ...

Alan Wakeman: The Octet Broadcasts 1969 and 1979

By CHRIS MAY

Despite a perception fostered by the more breathless media coverage given to the young lions who have emerged on the London scene since the mid 2010s, an identifiably British strand of jazz did not kick off when Shabaka Hutchings' Sons Of Kemet released its debut album in 2013. The groundwork was laid back in the 1950s ...

Andrew Bain: On Playing With(out) Boundaries

By FRIEDRICH KUNZMANN

Scottish drummer and educator Andrew Bain has performed in a wide variety of projects, from playing with Dave Liebman during his years with the Guildhall School of Music Jazz Orchestra, or collaborating with the late Kenny Wheeler to having taken part in joint efforts with the likes of late pianist John Taylor and other modern British ...

Roger Rota

By VINCENZO ROGGERO

1. Stravinsky, Chamber Works & Rarities, (Decca). I lavori da camera di Stravinsky mi hanno sempre affascinato per la ricchezza melodica che li pervade. In particolare “Pastorale," un brano che ascoltai per la prima volta almeno trent'anni fa e che da allora riascolto periodicamente. Una melodia sognante che potrebbe non finire mai, sorretta da ...

Maria Pia De Vito: Bergamo Jazz and Beyond

By LIBERO FARNè

Non tutte le cantanti, attraverso l'espressione interpretativa, riescono a mettere in piena evidenza il mondo socio-culturale che sta all'origine delle singole canzoni da loro proposte. Proprio questa sembra essere la preoccupazione irrinunciabile di Maria Pia De Vito, che col suo lavoro ha sempre teso a esaltare l'interconnessione, strettissima, indispensabile, fra il livello colto e quello popolare, ...

Jazztopad 2019

By HENNING BOLTE

Vincent Courtois Trio Witold Lutoslawski National Forum of Music, Mleczarnia Club Jazztopad Wroclaw November 21-24, 2019 On my arrival in Wroclaw, on the way to the reverend National Forum of Music (NFM), the first familiar face I met in the street was Mateusz Rybicki, a musician that has ...

Ambleside Days Contemporary Jazz Festival 2019

By MIKE COLLINS

Ambleside Days Contemporary Jazz Festival Ambleside, UK August 29-September 1, 2019 'Music that requires a different kind of listening' were the words Derek Hook used, to describe the essence of the Ambleside Days Festival programme at the start of the third edition of this small but top quality festival.

Mark Lockheart and Roger Sayer: Salvator Mundi

By ROGER FARBEY

Hot on the heels of Mark Lockheart's highly acclaimed Days On Earth (Edition, 2019), comes this liturgically-based duo recording. The saxophonist is accompanied here by virtuoso organist Roger Sayer, director of music at London's Temple Church. Sayer was a student at the Royal College of Music where he won multiple prizes for organ recital and was ...