Justin Morell: Justin Morell Dectet - Subjects and Compliments

Guitarist Justin Morell has succumb to his inner conflict between jazz and classical musics and composed a dozen pieces bowing to each in what may best be considered a jazz suite. This is not Gunther Schuller's "Third Stream" or the Modern Jazz Quartet's chamber jazz. It is a little bigger than that. Morell leads one of those provocative ensembles that is neither a big band or a small combo.

There is orchestral magic between seven-and eleven-member groups that cast the music they perform against a sonic white background, where ingenuity and talent are necessary to fill in the spaces with color. Miles Davis's Nonet and Art Pepper's + Eleven fall into this category, as well as Morell's dectet.

Morell weaves among straight compositions a series of fugues in multiple voices. Here he uses his reeds section to great effect often with a single reed as a voice. The most complex of these is "Fugue in E-flat, in five voices." It is the most dissonant piece on the recording using percussion and bass as two of the voices in the fugue. The result is a highly listenable piece of music that explores as much as it entertains.

"The Straight Man" follows, continuing the edgy anxiety of the fugue and giving the mood a decidedly noire feel. So much of Morell's music here has a cinematic quality that is very appealing. This little-big band recording is very good and highly accessible.

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