Home »
Jazz Articles » Album Review » Art Pepper: Jazz Showcase, Chicago
Art Pepper: Jazz Showcase, Chicago
Track review of "Pepper Pot"
This 1977 Chicago
Art Pepper performance was bootlegged in Spain. As it was stolen to begin with, the saxophonist's widow, Laurie Pepper re-purloined it, releasing it on her independent Widow's Taste label. That is the beauty of today's technology. Historically, this show came in the middle of Pepper's East Coast Tour capping the saxophonist's comeback before his artistic
Gotterdammerung that ended with his death from a cerebral hemorrhage in 1982. This particular tour ended with Pepper's famous stretch at New York City's Village Vanguard with
George Cables,
Elvin Jones, and
George Mraz, captured in its entirety on
The Complete Village Vanguard Sessions (Contemporary, 1995).
That said, Pepper was returning to full-time music making after scuffling around the previous number of years. He opens this Chicago show with his original composition "Pepper Pot" from his salad days in the 1950s. It is a swing piece, bearing a glancing nod to Pepper's Central Avenue experiences and his stint in the Kenton Band. He begins the piece on alto summoning little of his dry martini tone of the song's period. Pepper is already effecting the transition to his later, more incendiary, more emotive tone that characterized his late period recordings. Constructed over the "I've Got Rhythm" changes, "Pepper Pot" provides and expanse in which the whole band participates. Pepper and pianist
Willie Pickens take long solo breaks. After Pickens' extended solo, Pepper returns on clarinet, further focusing the composition's swing roots. Pepper was clearly in ascent at Chicago's Jazz Showcase.
Personnel
Art Pepper: alto saxophone, clarinet; Willie Pickens: piano; Steve Rodby:
bass; Wilbur Campbell: drums.
Album information
Title: Jazz Showcase, Chicago
| Year Released: 2010
| Record Label: Widow's Taste
PREVIOUS / NEXT
Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to
future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by
making a donation today.