Home » Jazz Articles » Extended Analysis » Jasper Høiby: Jasper Høiby: Fellow Creatures


Jasper Høiby: Jasper Høiby: Fellow Creatures


Sign in to view read count
Jasper Høiby: Jasper Høiby: Fellow Creatures
Creativity is an unpredictable beast, yesterday's inspiration can soon turn stale, evaporating with the morning dew if not carefully cultivated and attended to. That idea that was once so exciting can easily become a well-worn rut, or even a trap, into which the unwary can fall. Bassist Jasper Hoiby, a third of Phronesis, appears to recognise the benefits of staying creatively fresh on this fantastic new record, explicitly taking the time to try something different, and, possibly, recharging the creative batteries in the process. Fellow Creatures is in Hoiby's words intended to ..." explore things that I wouldn't be able to with Phronesis... an attempt to break away and try new ground...."

Principally this exploration comes through the greater possibilities offered by the relatively large five piece ensemble—that allows Hoiby the option of writing for two melody instruments with the greater interplay that implies. The band are excellent mixing leading lights of the Brit-Jazz scene like Mark Lockheart (saxophones) and Laura Jurd (trumpet & flugelhorn) with emerging talents such as Will Barry (piano) and Corrie Dick (drums). While this makes the music more diffuse than Phronesis, it gains significantly in terms of the subtlety, rhythmic and melodic invention of much of the collection. The title track, for example, strikes an angular latin groove that Jurd and Lockheart peel off from, playing round both each other's contributions and the rhythm with some dexterity and skill. At the halfway point the ensemble shifts beneath the solos, transporting the piece back to something approaching a more familiar modern jazz context. It's a wonderful track but far from the only delight to be found here.

That desire to tread new ground also includes an intention to produce a coherent feel, Hoiby commenting that the collection is ..."a celebration of the album as a narrative, as well as the personalities expressing it...." A central pillar of that narrative comes from the book "This Changes Everything" by Canadian journalist and activist Naomi Klein -who has spent much of the last 15-20 years highlighting the unspoken assumptions, inconsistencies and compromises inherent in our globalised system with a clarity that few others have matched. Unusual subject matter for jazz musicians to take on for sure, but couched in terms of a positive affirmation of what we share rather than what divides us—Hoiby has described the music as ..." an encouragement to the love between human beings and an acknowledgement of our belonging to nature, that I believe we all share as fellow creatures."

Pieces such as "Song for the Bees" successfully walk the line between melodic accessibility, textural and rhythmic invention. Hoiby's bass work here is particularly fine propelling the piece forward while allowing some great solo work from Jurd and Lockheart to play off of him to great effect. Pianist Will Barry contributes a thoughtful, precise, solo to "Tangible" and the horns anchoring the piece with the main theme around him. It's an interesting structure because it gives an impression of movement that keeps the ear fresh -Mingus pulled off a similar trick on Black Saint and the Sinner Lady, although possibly in a more raucous way. Here, though, there is a lightness about the way that the musicians fit together on tracks like "Collective Spaces" or "Suddenly Everyone" that shows a band comfortable playing with each other, enjoying working through the compositional creative challenges and scenarios Hoiby sets them. Heaven only knows what prompted the studio chat at the beginning of the excellent album closer "Plastic Island" -but what follows is a highlight of an extremely strong collection of compositions.

This being an Edition records release, there is an attention to detail in the presentation of the music both sonically and in the excellent cover photo of Hoiby by label boss, and no mean jazz musician himself, Dave Stapleton. The cover emphasises the intensity -Hoiby looking out at the world perplexed and isolated on a jetty, but also has a certain visual ambiguity. Should we read anything, for example, into the set of boarding steps isolated and leading nowhere on the left hand side of the shot? Is it a symbol for an environmental catastrophe, or has Hoiby just missed the water taxi home?

Ultimately what matters is that this is a fantastic, appealing, record that is head and shoulders above much released of late. The quintet setting has clearly inspired Hoiby both in terms of composition and playing and there can be little doubt that he and his band are a class act. This is one of the year's finest recordings and as such is highly recommended.

Track Listing

Folk Song; Fellow Creatures; World Of Contradictions; Little Song For Mankind; Song For The Bees; Tangible; Collective Spaces; Suddenly Everyone; Before; Plastic Island.


Jasper Hoiby
bass, acoustic

Jasper Høiby: double bass; Mark Lockheart: tenor saxophone; Laura Jurd: trumpet, flugelhorn; Will Barry: piano; Corrie Dick: drums.

Album information

Title: Jasper Høiby: Fellow Creatures | Year Released: 2016 | Record Label: Edition Records



For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.


In Situ
Alexa Torres
Just Found Joy
Ricky Alexander
Hittin' It
Mike Clement


Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.