Jaco Pastorius: Woodchuck and the Upper Hand (1969-1972)

Bill Milkowski By

Sign in to view read count
This article appears in Chapter 3 of Jaco: The Extraordinary and Tragic Life of Jaco Pastorius by Bill Milkwoski (Backbeat Books, 2005).

By the fall 1969, Jaco would find out what it was like to run his own band after forming his first group as a leader, an R&B organ trio called Woodchuck. With his good friend Bob Herzog on drums and vocals and local sensation Billy Burke on Hammond B-3 organ, Jaco had put together a formidable outfit with a decidedly funky appeal. And although Woodchuck was never a commercial success beyond the hip inner circle of other working musicians on the South Florida scene, its three members would stay together for almost two years out of pure love for the music.

In Herzog, the group had a sloppy yet syncopated drummer and a raucous, white trashy soul singer who personified South Florida funk. His lazy, behind-the-beat timekeeping on the kit was unpredictable yet undeniably greasy while his rough-hewn rasp perfectly suited their repertoire of '60s R&B and soul chestnuts like "If You Were Mine," "Think," "Barefootin,'" "The Chicken" and "Mr. Pitiful" along with a medley of Wilson Pickett's "Funky Broadway" segueing to James Brown's "Lickin' Stick" and the Isley Brothers' "It's Your Thing." The only drawback to having Herzog play drums and sing at the same time was the fact that his time did suffer a bit as a result. But in this band, Jaco was actually the one responsible for keeping the time feel rock-solid with the groovin'est basslines he could muster while Herzog slipped in and out of synch. Normally, this would be problematic in any band but Jaco felt that Zog's raw funk factor easily made up for any misgivings he may have had about his time.

A free-spirited, pot-smoking Bohemian, Herzog was also a black music aficionado who frequently skipped school to go into the 'hood and lazily stroll through the shops looking for a cool hat or a funky hand bag. Invariably, he could be found rummaging through the record bins for any new arrivals at Spin City, a small record shop on the corner of 13th Street and Sistrunk Boulevard run by WRBD dj Larry Hardgrove. This obscure soul music haven is where Bob and Jaco hand-picked the material for Woodchuck's repertoire.

In Burke, Jaco had found a one of a kind virtuoso musician who had an experienced ear for modern jazz harmonies and a penchant for mastering the sounds of the Hammond B-3 organ. "Woodchuck was a real funky group," Burke recalls. "We were doing Major Lance tunes, 'Cleanup Woman' by Betty Wright, all kinds of obscure, hip R&B tunes that hadn't crossed over to the white neighborhood yet. It was a real rebel-type band. It was basically R&B, but it was really jazz in the sense of stretching out and improvising on the bandstand. It was very daring for the time."

Les Luhring recalls first seeing Jaco with Woodchuck in 1969 at The Flying Machine. "This was a club down by the airport. I walked in there with Rich Franks, who had been the drummer in Las Olas Brass, and there was Billy Burke wailing on that B-3 with Jaco and Bob Herzog... and I couldn't believe how good they sounded together. I remember thinking it was a funny instrumentation, just organ, bass and drums...no guitar. But man, they just killed! It was an eye-opener to me."

Being a keyboard player himself, Luhring was especially impressed with the sound that Burke was getting from his Hammond B-3. "I was in a band at the time called Bridge (with Scott Kirkpatrick on drums, Jim Godwyn on guitar and David Neubauer... Jaco's predecessor in Las Olas Brass... on bass) and I played a cheesy-sounding Vox Continental organ in this band," he recalls. "But Billy had this wicked B-3 organ with two Leslie speaker cabinets and the hippest setup on it. I would've died to have a rig like that. And he said that he had done something to it like pulling some tubes out and whatnot to make it distort so that when they did songs like 'Whiter Shade of Pale,' those Leslie's would literally start wailing!"

Samples of Jaco's first band excerpted from the upcoming release of Woodchuck.

Audio samples courtesy of Bob Bobbing and JacoTheEarlyYears.com.


Related Video

comments powered by Disqus

More Articles

Read Go Slow: The Life Of Julie London Book Excerpts Go Slow: The Life Of Julie London
by Michael Owen
Published: June 30, 2017
Read A Conversation with Mike Mainieri Book Excerpts A Conversation with Mike Mainieri
by Anthony Smith
Published: June 2, 2017
Read The Royal Roost: Birthplace of Bop Book Excerpts The Royal Roost: Birthplace of Bop
by Richard Carlin
Published: March 30, 2016
Read Spirits Rejoice! Jazz and American Religion Book Excerpts Spirits Rejoice! Jazz and American Religion
by Jason Bivins
Published: September 24, 2015
Read Zappa and Jazz: Did it Really Smell Funny, Frank? Book Excerpts Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
Published: September 15, 2015
Read "Go Slow: The Life Of Julie London" Book Excerpts Go Slow: The Life Of Julie London
by Michael Owen
Published: June 30, 2017
Read "A Conversation with Mike Mainieri" Book Excerpts A Conversation with Mike Mainieri
by Anthony Smith
Published: June 2, 2017
Read "Jack Wilkins: Playing What He's Preaching" Interview Jack Wilkins: Playing What He's Preaching
by Rob Rosenblum
Published: December 29, 2016
Read "Leonard Cohen: You Want it Darker" Extended Analysis Leonard Cohen: You Want it Darker
by Nenad Georgievski
Published: November 13, 2016
Read "My Fats Waller Obsession: Why Do We Collect Music?" My Blue Note Obsession My Fats Waller Obsession: Why Do We Collect Music?
by Marc Davis
Published: May 31, 2017
Read "Sabu Martinez: Palo Congo – 1957" My Blue Note Obsession Sabu Martinez: Palo Congo – 1957
by Marc Davis
Published: January 17, 2017
Read "Philadelphia Jazz: A Brief History" History of Jazz Philadelphia Jazz: A Brief History
by Jack McCarthy
Published: May 24, 2017


Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.