Chet Baker had a distinctive trumpet style that even Miles admired, but many may not know he was also quite accomplished as a singer. Judging by the cover (Baker’s good looks were always prominently featured on his releases), the A&R people at Riverside saw an opportunity to market Baker as a romantic crooner along the lines of Frank Sinatra or Nat King Cole. This is surprising, considering his fragile, colorless vocals certainly don’t immediately call to mind someone who could sing at all. Nevertheless, Baker’s haunting vocal delivery remains one of the most underrated pleasures in jazz.
Unlike the earlier Pacific releases, which featured Baker’s vocals and trumpet playing in equal measures, the 1958 record It Could Happen To You focuses mainly on vocals. Backed by a stellar East Coast rhythm section that glides over the changes like figure skaters (Drew in particular responds with delicate accompaniment), Baker delivers deeply moving renditions of standards. The best songs are ballads like “Everything Happens To Me” and “While My Lady Sleeps”, which are perfectly suited to Baker’s vulnerable delivery and are achingly beautiful, a soundtrack to rainy nights at home alone with a bottle of Scotch. The up-tempo numbers feature more trumpet soloing and are charged with mellow phrasing and a keen sense of melody, demonstrating why Baker was admired by so many of his peers.
Few singers also double on a horn, but Baker shows how successfully it could be done, blowing and singing both complementing each other as part of a compelling conception. Newly remastered, It Could Happen To You is clearly a vocal jazz classic.
Track Listing: 1. Do It The Hard Way 2. I'm Old Fashioned 3. You're Driving Me Crazy 4.
It Could Happen To You 5. My Heart Stood Still 6. The More I See You 7.
Everything Happens To Me 8. Dancing On the Ceiling 9. How Long Has
This Been Going On? 10. Old DEvil Moon 11. While My Lady Sleeps 12.
You Make Me Feel So Young.
Personnel: Chet Baker-trumpet, vocals; Kenny Drew-piano; Sam Jones or George
Morrow-bass; Philly Joe Jones or Dannie Richmond-drums.
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.