Home » Jazz Articles » Album Review » Irene Schweizer & Louis Moholo: Irene Schweizer & Louis Moholo
Irene Schweizer & Louis Moholo: Irene Schweizer & Louis Moholo
On Irene Schweizer & Louis Moholo we are treated to bouncy melodies, introspective interplay and narratives which speak loud and clear, as in the 1st track, titled “Free Mandela”. Here and throughout, the often brilliant Moholo displays polyrhythmic acumen, which at this juncture is somewhat legendary. Ms Schweizer and Mr. Moholo generally cavort in unison as Moholo maintains the feverish pulse, which adds structure while enhancing the synchronous attack. Part of the magic lies within Moholo’s utterly creative yet technically difficult utilization of snare, hi-hat and bass drum! Moholo projects odd-metered back beats with unusual approaches to tempo and measure yet on many an occasion provides tumultuous African style rhythms across his toms with passion and determination. “Mra” revolves around an affable melody perpetuated by Ms Schweizer’s sweeping and amazingly quick chord progressions, that border free-jazz, mainstream and perhaps a dose of Professor Longhair style rock and roll. The 19 minute suite, “Exile” is a tour de force as these two masters display gobs of power and resolve while effortlessly whirling through a flurry of motifs, complete with all the twists and turns. The worldly approach and non-stop action is at times breathtaking.....It could not have been scripted any better! Highly recommended!! * * * * *
See AAJ August 1999 review featuring Irene Schweizer & Pierre Favre; September 1999 review of Irene Schweizer & Andrew Cyrille
Distribution in the USA: North Country Distributors, Cadence Building, Redwood N.Y. 13679
Website: www.intaktrec.ch.
Personnel
Irene Schweizer
pianoAlbum information
Title: Irene Schweizer & Louis Moholo | Year Released: 1999 | Record Label: Intakt Records
About Irene Schweizer
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






