Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

12

Ben Monder: Hydra

Troy Collins By

Sign in to view read count
New York-based guitarist Ben Monder has been an active member of the contemporary jazz scene for more than two decades, appearing on over 100 sessions as a sideman for such luminaries as Paul Motian, Maria Schneider and Kenny Wheeler. Despite such prestigious collaborations, Monder has maintained a relatively low profile as a solo artist, with less than half a dozen records as a leader or co-leader to his credit; Oceana, the last release under his own name, was issued by Sunnyside Records back in 2005.

When left to his own devices, Monder unveils a singular penchant for juxtaposing progressive rock tenets with the atmospheric textures of ambient music. An heir apparent to edgy but ethereal stylists like John Abercrombie and Bill Frisell, Monder's unorthodox approach has earned him widespread critical acclaim and the admiration of his peers, yet widespread popularity continues to elude him. Performing regularly with his trio, quartet and in duets with vocalist Theo Bleckmann, Monder has nonetheless established a uniquely identifiable aesthetic in his own ensembles, alternating between dreamy soundscapes and visceral abstraction.

Thematically similar to Oceana in its dramatic ebb and flow, Hydra takes up where Monder's previous effort as a bandleader left off. Indicative of his idiosyncratic artistry, Monder once again shares the frontline with Bleckmann, whose sonorous vocalese alternately complements or contrasts with the guitarist's multifaceted technique, which spans the spectrum from delicate finger-picking to scorching over-driven leads. The primary rhythm section consists of bassist John Patitucci and longstanding drummer Ted Poor (bassist Skuli Sverrisson subs on two cuts), with Gian Slater and Martha Cluver providing occasional harmony vocals.

The serene opener "Elysium" and penultimate "Postlude" serve as meditative bookends, leaving the epic title track to reveal the depths of Monder's quixotic predilections within the context of an elaborate musical narrative. Encompassing an array of stylistic changes in just under half an hour, the titular opus illuminates the group's skillful rapport, largely in support of the leader's virtuosic excursions, which include neo-classical arpeggios, quicksilver chromatic runs and sweeping intervallic leaps. Accompanied by Bleckmann's heavenly refrains, the trio's adroit interplay repeatedly modulates in intensity and complexity—conceptually evoking the regenerative nature of the work's namesake.

Venturing further into vanguard territory, the odd-metered "Tredecadrome" is simultaneously driven by Monder's sustained metallic riffing and Bleckmann's multi-tracked choral harmonies, yielding an unusually fascinating sonic hybrid. Underpinned by equally unorthodox time signatures, Monder's vigorous acoustic fretwork on "39" dazzles with kaleidoscopic detail, while the lush chord voicings and sublime melodic sensitivity of tunes like "Aplysia" and "Yugen" offer poignant examples of post-Frisellian lyricism. Inspired by E.B. White's literary classic Charlotte's Web, the tender lullaby "Charlotte's Song" ends the date on a hushed note, bringing to a close one of the most enigmatically captivating albums in recent memory.

Track Listing: Elysium; Hydra; Aplysia; 39; Yugen; Tredecadrome; Postlude; Charlotte's Song.

Personnel: Ben Monder: guitars, bass (4); Theo Bleckmann: voice (2-4, 6-8); John Patitucci: bass (1, 5-7); Skuli Sverrisson: bass (2, 3); Ted Poor: drums (2-6); Gian Slater: voice (1, 7); Martha Cluver: voice (5, 7).

Title: Hydra | Year Released: 2013 | Record Label: Sunnyside Records


Tags

comments powered by Disqus

More Articles

Read Makes the Heart to Sing: Jazz Hymns CD/LP/Track Review Makes the Heart to Sing: Jazz Hymns
by Dan Bilawsky
Published: December 16, 2017
Read Song of No Regrets CD/LP/Track Review Song of No Regrets
by Jack Bowers
Published: December 16, 2017
Read Sounding Tears CD/LP/Track Review Sounding Tears
by John Sharpe
Published: December 16, 2017
Read Lighthouse CD/LP/Track Review Lighthouse
by Glenn Astarita
Published: December 16, 2017
Read Kill The Boy CD/LP/Track Review Kill The Boy
by Chris Mosey
Published: December 16, 2017
Read Rain or Shine CD/LP/Track Review Rain or Shine
by Jack Bowers
Published: December 15, 2017
Read "Sailors' Tales 1970-1972" CD/LP/Track Review Sailors' Tales 1970-1972
by John Kelman
Published: November 11, 2017
Read "Iberica" CD/LP/Track Review Iberica
by Dan McClenaghan
Published: March 8, 2017
Read "Triangulum" CD/LP/Track Review Triangulum
by Troy Dostert
Published: June 20, 2017
Read "Slade Alive!" CD/LP/Track Review Slade Alive!
by C. Michael Bailey
Published: July 21, 2017
Read "Peninsular" CD/LP/Track Review Peninsular
by Hrayr Attarian
Published: April 16, 2017
Read "Slag" CD/LP/Track Review Slag
by Mark Corroto
Published: January 29, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!