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Jazz Articles about Ben Monder


About Ben Monder

5

Album Review

Christian Finger: Zeit Zirkel

Read "Zeit Zirkel" reviewed by Mike Jurkovic

by Mike Jurkovic

Whether German-born, New York based drummer/composer Christian Finger (Lee Konitz, Ron Carter, Donny McCaslin) is well known within this circle or that circle holds no bearing on the shape of things and the highs heard on Zeit Zirkel. Making peace with grief and rooted in resilience, space, and spirit, the music makes its way through our daily distractions and focuses our vision on something much larger than an iPhone. Choosing instead to define grief as something to be ...

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1

Album Review

Phil Haynes: Terra

Read "Terra" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Un po' a sorpresa, dopo due album tematici avvincenti e di immediata comunicabilità come Return to Electric (Corner Store Jazz, 2025) e Liberty Now! (Corner Store Jazz, 2025) arriva Terra, ancora un album a tema, registrato dal vivo presso la Bucknell University, ma di natura ben diversa. Per l'occasione Phil Haynes, Ben Monder e Peyton Pleninger, si incontrano per la prima volta come gruppo dando vita ad una esecuzione/suite completamente improvvisata. Gli strumenti vanno ben oltre i rispettivi ...

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Album Review

Theo Bleckmann: Love and Anger

Read "Love and Anger" reviewed by Angelo Leonardi

by Angelo Leonardi

Nella ristretta cerchia dei cantanti jazz maschili Theo Bleckmann s'è distinto per la cifra eclettica che l'ha portato a spaziare in quasi ogni ambito musicale: dagli standard del songbook statunitense alla sperimentazione vocale, dal pop al gospel, dal rock alla classica. Residente a New York dall'età di 23 anni, dopo gli studi di canto jazz in Germania Theo è rapidamente maturato dopo la collaborazione del 1994 con Meredith Monk, con cui ha affinato la tecnica vocale e consolidato l'innata spinta di ...

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8

Album Review

Jerome Sabbagh: Stand Up!

Read "Stand Up!" reviewed by Joshua Weiner

by Joshua Weiner

While much great jazz has emerged from one-off encounters among musicians, there is a lot to be said for the synergy of longstanding working bands. The former may provide more spontaneity and produce fireworks, but it can also lead to the occasional dud due to a mismatch in approach. Players in a working band, in contrast, gain a deep knowledge of each other's artistic choices, learn what works and what does not, and--by definition--must be doing something right, since their ...

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7

Album Review

John O'Gallagher: Ancestral

Read "Ancestral" reviewed by Dan McClenaghan

by Dan McClenaghan

Saxophonist John O'Gallagher keeps moving east in his search for musical expression. Born in Anaheim, California, before relocating to New York City and living there for thirty years, he finds himself (in 2025) in Lisbon, Portugal. He boasts a played with/recorded with resume to knock the proverbial socks off (Joe Henderson, Tony Malaby, Maria Schneider, Kenny Wheeler, and more). He also dived John Coltrane's late period explorations--Interstellar Space (Impulse!, 1974) and Stellar Regions (Impulse Records, 1967), From this Coltrane-ian immersion, ...

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13

Album Review

Donny McCaslin: Lullaby for the Lost

Read "Lullaby for the Lost" reviewed by Neil Duggan

by Neil Duggan

Saxophonist Donny McCaslin and his band's collaboration on David Bowie's final album Blackstar (ISO Records, 2016) marked a pivotal moment in McCaslin's career. Following Bowie's death just two days after the album's release, McCaslin transitioned from being a well-respected jazz musician to achieving international recognition. His band's innovative contributions helped make Bowie's final album a critically acclaimed late-career highlight. Since then, McCaslin's brand of innovative, contemporary jazz fusion has continued breaking through barriers to define a distinctive sound ...

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Album Review

Ingrid Laubrock: Purposing the Air

Read "Purposing the Air" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Avventuroso e ambizioso Purposing the Air, nuovo progetto di Ingrid Laubrock, notevole sassofonista di origini tedesche qui nelle vesti di compositrice. Dal poema “Mood Librarian -a poem in koan" di Erica Hunt, ha estratto sessanta frammenti, trenta nel primo CD e trenta nel secondo, affidandoli a quattro duo dove l'elemento fisso è la voce mentre la strumentazione si distribuisce tra violoncello, pianoforte, chitarra elettrica e violino. I sessanta frammenti-miniature-koan, alcuni di due sole parole, riportati nel dettagliato libretto interno, risuonano ...

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