Cory Weeds: Home Cookin'

Cory Weeds, a prominent figure in the contemporary jazz scene, has made a remarkable statement with his Little Big Band's latest album Home Cookin'. The session showcases a vibrant collection of compositions/arrangements carefully curated to resonate with his personal journey, including those by Horace Silver, Thad Jones and Oliver Nelson, which are essential to him for a variety of reasons. The band comprises ten of his favorite world-class Vancouver, BC-based musicians.

These previously mentioned influential tracks have been ingeniously adapted to harmonize flawlessly within the intimate framework of the little big band format, beginning with Horace Silver's composition and title track, "Home Cookin." This stylish swinger arranged by Jill Townsend touches all the bases with subtly illustrated music driven by tight ensemble playing interspersed with solid solos from Weeds on tenor sax and Steve Kaldestad alto sax. The other Silver original is "Metamorphosis," on which Townsend has again developed an engaging harmonic chart that shows an understanding of the intricacies of Silver's style, propelled by the drumming of Jesse Cahill. Weeds and Kaldestad are the principal go-to soloists, with baritone saxophonist Dave Say coming along, stuffing his notes with weight and force.

Bill Weeds (Cory's father) wrote the composition "Corner Kisses," and it is a burner with the chart by Bill Coon. Weeds again shows he is an audacious saxophonist, with pianist Chris Gestrin exhibiting resourcefulness in his solo. "Power Station," composed and arranged by pianist Micheal Weiss, is a bouncy number that seems to fit perfectly with a small band as it has an engaging contemporary flair. Both Weeds and Gestrin fill the solo space with new angles of engagement. Thad Jones' composition is entitled "Thedia," and it comes to life with a chart by Bill Coons and Jill Townsend, adding extra depth to the album. Weeds uses the occasion to demonstrate his versatility and his ability to integrate his tenor voice into the little big band sound.

The closer is "Lullaby of the Leaves," arranged initially by Oliver Nelson but adapted and transcribed for the band by Fred Stride. In this wonderfully crafted arrangement, Weeds is out front, flexing his powers and a bustling declaratory spirit. Gestrin's interjection shows he is a compatible and estimable pianist. The album is a testament to the talent of Cory Weeds and his Little Big Band.

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