411

Jeff Rupert: From Memphis to Mobile

Nicholas F. Mondello By

Sign in to view read count
Jeff Rupert: From Memphis to Mobile Sound and swing. It seems that these two elements of the very DNA of jazz are sadly absent from much of what is offered up in some of today's recorded music. It might be smooth or contrived, but much that's heard doesn't seem in synch with the very essence of the art form. Happily, with From Memphis to Mobile, saxophonist Jeff Rupert and cohorts excel supremely at both sounding and swinging.

The CD offers up eleven selections that provide a terrific sonic showcase for Rupert and his band mates. Accompanied by a fine rhythm section consisting of the marvelously swinging Kenny Drew, Jr., bassist Richard Drexler and drummer John Jenkins, the group provides a wonderfully tasteful and swinging effort. Lyman Brodie's flugelhorn adds a nice dimension, too, on "Walkin' Home. More of him, please.

Rupert, an ex-Maynard Ferguson "Big Bop Noveau" tenor, has an inviting silk-sound that is never harsh, yet speaks so lyrically it's almost vocal. Rupert sounds like Stan Getz on the tenor, cascading over changes fluidly with restraint and taste on "Bad Moon" and "Beatrice.." He also shows fine compositional chops with seven unique originals. "Basin Street Blues," complete with a classic quote from Louis Armstrong) and other elements displayed across the disc, indicates that Rupert knows where his roots are. He salutes and serves them with swinging, Southern spice.

As expected with a title drawn from an American classic—"Blues in the Night"—the CD is painted blue throughout, but notably on "Rock Skippin'" and "Thunderbird. Rupert soulfully shades blue all across the effort, including "If I Had Only Known" and "I Loves You Porgy." Drew's keyboard does the same with flame on Rupert's express-ive blue train of "The Norfolk Southern RR." "Chasin' Tail" is a high-speed runaway for the group to push the pace furiously and close to the edge. Duke Ellington's "A Single Petal of a Rose," here delivered magnificently, secures Rupert's and Drew's places as deserving acolytes and soon-to-be masters.

The production, recording and engineering values are excellent. Kudos to co-producers Scott Elias and Rupert. From Memphis to Mobile is an elegantly swinging, enjoyable recording. Hop aboard this train.

Track Listing: Rock Skippin'; Bad Moon; If I Had Only Known; Beatrice; The Norfolk Southern RR; I Loves You, Porgy; Chasin' Tail; Walking Home; Basin Street Blues; Thunderbird; A Single Petal of a Rose.

Personnel: Jeff Rupert: tenor sax; Kenny Drew, Jr.: piano; Richard Drexler: bass; John Jenkins: drums; Lyman Brodie: flugelhorn (8).

Year Released: 2009 | Record Label: Random Act Records | Style: Modern Jazz


Related Video

comments powered by Disqus

Shop

More Articles

Read This Is Beautiful Because We Are Beautiful People CD/LP/Track Review This Is Beautiful Because We Are Beautiful People
by Matthew Aquiline
Published: May 29, 2017
Read Nigerian Spirit CD/LP/Track Review Nigerian Spirit
by James Nadal
Published: May 29, 2017
Read The Colours Suite CD/LP/Track Review The Colours Suite
by Glenn Astarita
Published: May 29, 2017
Read Les Liasons Dangereuses 1960 CD/LP/Track Review Les Liasons Dangereuses 1960
by Mark Corroto
Published: May 29, 2017
Read Chapter Five CD/LP/Track Review Chapter Five
by Jack Bowers
Published: May 28, 2017
Read The Hive CD/LP/Track Review The Hive
by Edward Blanco
Published: May 28, 2017
Read "Rhythmic Movement" CD/LP/Track Review Rhythmic Movement
by Karl Ackermann
Published: December 22, 2016
Read "The Big Shake-Up" CD/LP/Track Review The Big Shake-Up
by Roger Farbey
Published: October 21, 2016
Read "Leaps In Leicester" CD/LP/Track Review Leaps In Leicester
by John Sharpe
Published: September 28, 2016
Read "Dark Territory" CD/LP/Track Review Dark Territory
by Mark F. Turner
Published: June 15, 2016
Read "Organ Monk, The Breathe Suite" CD/LP/Track Review Organ Monk, The Breathe Suite
by Roger Farbey
Published: April 29, 2017
Read "The Picasso Zone" CD/LP/Track Review The Picasso Zone
by Dan McClenaghan
Published: December 11, 2016

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, hide slide-outs, and provide read access to our future articles.

Buy it!