Home » Jazz Articles » Album Review » NIA Quintet: End of Time

NIA Quintet: End of Time

By Glenn Astarita
February 2, 2006
View read count

These young lads abide a clearly stated path on this most impressive outing. With that notion in mind, it's almost a rarity these days to hear a new jazz ensemble differentiate itself from the pack. Besides strong soloing by trumpeter Scott Anderson, pianist Vaitsas and the remaining members of the quintet, the musicians evidence some quality shedding time. Another differentiator pertains to Anderson's memorable compositions, often generated with distinct harmonic developments.

Whether the band is slashing and dashing through post bop numbers comprised of flashy maneuvers and zippy horn charts or delivering soulful ballads, these pieces impart a sustainable impression. On "End of Time, Daniel Nicholson renders a stirring tenor sax solo to offset a sanguine melody line and Vaitsas' zesty blues-gospel piano phrasings. And the band mixes it up rather nicely by navigating through variable swing pulses, abetted by the hornists' cheery unison choruses.

The musicians toss a few unexpected curves into the production, as witnessed on the final two pieces, where Anderson sits at the piano for a tender recital, followed by a haunting duet motif by Anderson (flugelhorn) and Nicholson (alto flute). But the quintet's forthright mission of execution, substantiated by unwavering commitment, delivers the winning edge.

Track Listing

Second Chance; Movement; Bellamy's Dance; Where I Stand; About You; End Of Time; Once More; Half-Way; Past, Present, Future; Gelfing's Parable.

Personnel

Scott Anderson

guitar

Scott Anderson: trumpet, flugelhorn, solo piano (9); Daniel Nicholson: saxophones, alto flute (10); Tom Vaitsas: piano, Fender Rhodes (7); Patrick Williams: bass; Greg Wyser-Pratte: drums.

Album information

Title: End of Time | Year Released: 2006 | Record Label: Blujazz Productions

About Scott Anderson

PREVIOUS / NEXT

I'm With the Band
< Previous

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.