395

Mike Reed's Loose Assembly Featuring Roscoe Mitchell: Empathetic Parts

Troy Collins By

Sign in to view read count
Mike Reed's Loose Assembly Featuring Roscoe Mitchell: Empathetic Parts
The Association for the Advancement of Creative Musicians (AACM) has nurtured the talents of Chicago's most inventive artists since 1965. Drummer Mike Reed, the venerable organization's recently appointed Vice Chairman, repays the favor on Empathetic Parts, with his longstanding quintet, Loose Assembly, by welcoming one of the Association's original founders, multi-instrumentalist Roscoe Mitchell, as featured guest soloist.

A veteran organizer and concert promoter, Reed's affinity for collaborating with his elders is reflected in his budding discography. Trumpeter Art Hoyle, saxophonist Ira Sullivan and trombonist Adi Braun were featured prominently on Stories & Negotiations (482 Music, 2010), Reed's previous release with his quartet, People, Places & Things. His other flagship band, Loose Assembly, is firmly rooted in Chicago's avant-garde tradition, making this encounter with Mitchell an interesting counterpart to the aforementioned session.

The album is dominated by the lengthy title track, an episodic work structured around the concept of "collective arranging," in which Reed equally distributes responsibilities for controlled improvisation among his band members. Alternating between conductor and sideman, each member directs the ensemble in turn, using techniques Reed adapted from his peers, cellist Fred Lonberg-Holm and trombonist Jeff Albert. Employing cues designed to ease transitions between sections, the piece segues gracefully between divergent moods, lending a naturalistic flow to the proceedings. Veering episodically from spare ruminations to coiled themes, the suite explores a plethora of moods over its 33-minute duration, from spectral pointillism and meditative ostinatos to fractious abstraction and vivacious swing, with copious space allotted for the guest soloist's contributions.

Indefatigable after more than four decades of unremitting experimentation, Mitchell continues to play havoc with conventional tonality, delivering trenchant essays in deconstruction that defy prescribed notions of embouchure, pitch and phrasing. Alto saxophonist Greg Ward proves an apt foil for Mitchell; his pneumatic intervals and bright tone provide a colorful contrast to the master's oblique, weathered impressionism. Reed's modulating rhythms are underpinned by Joshua Abrams' pliant bass and Jason Adasiewicz's effervescent vibraphone ruminations, with cellist Tomeka Reid adding sinuous detail.

Spotlighting the lyrical interplay of Mitchell and Ward's plangent altos, a lavish arrangement of late AACM drummer Steve McCall's "I'll Be Right Here Waiting" brings the concert to a close, serving as a gentle coda and a persuasive reminder of the Association's aesthetic diversity.

Mitchell's congenial rapport with Reed's young quintet establishes a historical continuum hearkening back to his early days as founder of the Art Ensemble Of Chicago, a seminal collective whose influence over this date is both undeniable and intentional. A cross-generational summit meeting between one of the organization's key founders and its newest heir, Empathetic Parts truly embodies the AACM's credo, Great Black Music, Ancient to the Future.

Track Listing

Empathetic Parts; I'll Be Right Here Waiting.

Personnel

Roscoe Mitchell: alto saxophone, soprano saxophone, flute; Greg Ward: alto saxophone; Tomeka Reid: cello; Jason Adasiewicz: vibraphone; Joshua Abrams: bass; Mike Reed: drums, percussion.

Album information

Title: Empathetic Parts | Year Released: 2010 | Record Label: 482 Music

Post a comment about this album

Tags

Shop Amazon

More

Read Warmer Than Blood
Warmer Than Blood
Chris Montague
Read Off Brand
Off Brand
Collage Project
Read Expanding Light
Expanding Light
Whit Dickey Trio
Read Iron Starlet
Iron Starlet
Connie Han

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.