In welcome fits of serendipity, the manuscripts of previously unknown European classical compositions are found in attics, old churches or forgotten libraries and brought to light with no little fanfare. In the United States, there is an equivalent situation with hitherto previously unissued jazz recordings being revealed in the most unlikely places. In a recent example, producer
Michael Cuscuna got wind of some unissued music by guitarist
Wes Montgomery (1923-1968) being offered on eBay. Due to the short length of the guitarist's professional career, there are many fewer Montgomery recordings out there as compared to his peers of the 1950s and '60s. The eBay listing came to an end, and the tape's new owner, guitarist Jim Greeninger, made a call to Cuscuna that, three years later, resulted in the release of
Echoes of Indiana Avenue.
These recordings were made in three different formats, ostensibly as demos for record companies. Montgomery signed with the Pacific Jazz label in 1958 (resulting in
Fingerpickin'), so it is thought that these recordings were made between 1957 and '58. Montgomery's style represents a natural evolution from
Charlie Christian's groundbreaking recordings of the late 1930s. If Joe Pass approximates
Oscar Peterson on guitar, then Montgomery is
Count Basie. Montgomery's technicality was revealed in his use of octaves more than his speed or dexterity. His note choice was expert, and in light of his autodidactic status, revelatory.
Montgomery's respect of
Thelonious Monk is illustrated by the guitarist's inclusion of "'Round Midnight" and "Straight, No Chaser" in these demos. "'Round Midnight" was a regular inclusion in Montgomery's book, having been recorded by the guitarist several times during his short career. This early example of the jazz ballad shows that Montgomery's jazz language was already well developed. He spins the Monk tune into a classic improvisation that goes where the piano cannot take it. Montgomery's solo development here can be compared to that of
Sonny Rollins on his improvised masterpiece, "Blue Seven" from
Saxophone Colossus (Prestige, 1956). Montgomery carefully develops his solo within the format of the classic organ trio, burning the already well-worn piece with a soul jazz flame. This is the greatest jazz find brought to disc since
The Thelonious Monk Quartet with John Coltrane: at Carnegie Hall (Blue Note, 2005).
Track Listing: Diablo's Dance; 'Round Midnight; Straight No Chaser; Nica's Dream; Darn That Dream; Take The 'A' Train; Misty; Body and Soul; After Hours Blues.
Personnel: Wes Montgomery: guitar; Monk Montgomery: bass (3); Buddy Montgomery: piano (3); Mingo Jones: bass (6-9); Earl Van Riper: piano (6-9); Sonny Johnson: drums (6--8); Melvin Rhyne: piano (1, 4), organ (2, 5); Paul Parker: drums (1, 2, 4, 5); Unknown bassist (1, 4).
Title: Echoes Of Indiana Avenue
| Year Released: 2012
| Record Label: Resonance Records