Home » Jazz Articles » Album Review » Gilles Laheurte: Dreams
Gilles Laheurte: Dreams
The recording is a tribute to the late Steve Lacy, who was a friend of Laheurte's. Ten of the twelve cuts feature Laheurte on soprano sax, an instrument he plays with deep passion. The highlights are two long suites where Laheurte improvises over drums. The first, "The Sparrow's Reverie," features Laheurte with Mark Sanders. The suite showcases the many sides of Laheurte's playing, sometimes spare and elegant, sometimes Middle Eastern in flavor and sometimes cooking. Sanders provides a creative, always shifting background, which is perfect for Laheurte's flights of sound. "Koyasan Forest Walk" teams Laheurte with Masahiko Togashi, with Laheurte's sax running the gamut from fat and bluesy to sweet and flute-like.
The two cuts where Laheurte solos on percussion and cymbals come as a surprise. It's a different side of his talent and explains why he solos so well over drumshe understands both sides of the equation. His percussion work is inventive and multifaceted, particularly on "Kyoto on My Mind," a spacious song that evokes the majesty of the ancient Japanese city. It would be great to hear a Laheurte recording composed purely of percussion solos.
Experiencing Laheurte is a pleasure: his sound evokes masters Lacy and Coltrane, but he imbues the instrument with his own distinctive intelligence and heart. Dreams is a warm tribute, and it's also a coming out celebration of a hidden talent who surely has much more to share.
Track Listing
The Sparrow's Reverie (Part 1: Contemplation; Part 2: Melancholy; Part 3: Mourning; Part 4: Pursuit); Rimane Poco; Kyoto on My Mind; Retreat; Koyasan Forest Walk (Let's Sing Let's Dance; Whispering Stars; Something Leaving; Pray); Himeji at Last.
Personnel
Gilles Laheurte: soprano saxophone, percussion, cymbals; Mark Sanders: drums; Masahiko Togashi: drums
Album information
Title: Dreams | Year Released: 2005 | Record Label: SelfGratifying Productions
About Gilles Laheurte
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







