313

Jim Hall: Concierto

John Kelman By

Sign in to view read count
Jim Hall: Concierto Amongst the many CTI classics of the 1970s, few stand the test of time as well as guitarist Jim Hall's Concierto, an ambitious album that, in its original form, married one side of modern mainstream with a second taken up by a 19-minute version of Joaquin Rodrigo's 1939 piece for classical guitar and orchestra, "Concierto de Aranjuez." That Miles Davis and Gil Evans had already delivered what was considered the definitive jazz adaptation on the trumpeter's 1960 classic, Sketches of Spain (Columbia), and that pianist Chick Corea had grabbed parts as the intro to his now-classic "Spain," were clearly no deterrents to Hall, or to arranger Don Sebesky, who—sticking with this minimalist quintet/sextet rather than the overblown orchestras he'd sometimes resort to on other CTI titles—delivers one of the best charts of his career.

Sebesky perfectly balances the innate economy and astute improvisation acumen of Hall's group with written scores that maximize the beauty of space and nuanced understatement. Trumpeter Chet Baker is in terrific form here, in the midst of a relatively brief cleanup period from heroin and with two strong CTI recordings from the previous year—his own She Was Too Good to Me (reissued in 2010 by CTI Masterworks) and Carnegie Hall Concert, with baritone saxophonist Gerry Mulligan and a crack band that includes drummer Harvey Mason, and a young John Scofield on guitar. Paul Desmond is also in great shape, interacting particularly empathically with Baker on the swinging opener, "You Be So Nice To Come Home To," before the trumpeter takes over with a solo of surprising fire and even occasional grit.

As is the case on the lion's share of CTI recordings, bassist Ron Carter stokes the engine room— this time with drummer Steve Gadd—demonstrating his remarkable versatility. Appearing on all six of 2011's first batch of CTI Masterworks reissues, and playing, as he does, with three different drummers in a variety of contexts, Carter demonstrates just how malleable he is, and how ideal a rhythm section partner he's always been, all while remaining instantly recognizable.

Hall's career has been founded on a thoughtful and restrained economy that's made every note, every voicing, count. What's most remarkable about his playing here is how perfect his choices still are, nearly 40 years later. It's often easy to look back and reassess performances for what they might have been, but there's absolutely nothing here that could (or should) be changed; pianist Roland Hanna also plays with a combination of melodic invention and Spartan lyricism on the two versions of "You'd Be So Nice," including a bonus alternate that, taken at an ever-so-slightly-slower tempo, breathes a tad more than the album version; though, with slightly softer edges, it's easy to see why Hall and producer Creed Taylor made the choice they did.

With its reading of "Concierto de Aranjuez" standing easily beside the Davis/Evans version on Sketches of Spain, Concierto deserves to be considered an equal classic, and a masterpiece in its own right—proof that music can be deep, modern, timeless and accessible.


Track Listing: You'd Be So Nice to Come Home To; Two's Blues; The Answer is Yes; Concierto de Aranjuez; Rock Skippin' at The Blue Note (Bonus Track); Unfinished Business (Bonus Track); You'd Be So Nice to Come Home To (Alt. Tk.); The Answer is Yes (Alt. Tk.); Rock Skippin; at The Blue Note (Alt. Tk.).

Personnel: Jim Hall: guitar; Chet Baker: trumpet (1-4, 7, 8); Roland Hanna: electric piano (2, 3. 8), piano (1, 4, 5, 7, 9); Ron Carter: bass; Steve Gadd: drums (1-5, 7-9); Don Sebesky: arranger; Paul Desmond: alto saxophone (1, 4, 6, 7).

Year Released: 2011 | Record Label: CTI Masterworks | Style: Modern Jazz


Related Video

Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Cinema Spiral" CD/LP/Track Review Cinema Spiral
by John Sharpe
Published: August 9, 2016
Read "New York Connections" CD/LP/Track Review New York Connections
by David A. Orthmann
Published: September 18, 2016
Read "Parodies: Jazz Music for Violin and Octet" CD/LP/Track Review Parodies: Jazz Music for Violin and Octet
by Eyal Hareuveni
Published: March 21, 2016
Read "Back Home" CD/LP/Track Review Back Home
by Mark F. Turner
Published: May 6, 2016
Read "Convergence" CD/LP/Track Review Convergence
by Mark F. Turner
Published: August 20, 2016
Read "Atticus Live!" CD/LP/Track Review Atticus Live!
by Jack Bowers
Published: December 2, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!