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MUSICIAN Born:

Gerry Mulligan

Gerry Mulligan grew up in Philadelphia and first learned piano, which he played occasionally. While in his teens, he wrote arrangements for Johnny Warrington's radio band (1944) and played reed instruments professionally. After moving to New York in 1946, he joined Gene Krupa's big band as staff arranger, attracting attention with his Disc Jockey Jump (1947). He then became involved with the nascent cool-jazz movement in New York, taking part in the performances (1948) and recording sessions (1949-50) of Miles Davis' nonet and contributing scores to the big bands of Elliot Lawrence and Claude Thornhill

ARTICLE: ALBUM REVIEW

Frank Basile: 2 Part Solution

Read "2 Part Solution" reviewed by Pierre Giroux

One might have expected there would be a plethora of baritone sax / tenor sax recordings following the standout 1959 Verve release Gerry Mulligan Meets Ben Webster. Not so, although the two principals were involved in a follow-up album in 1960 for HiFi Jazz entitled Jimmy Witherspoon With Mulligan and Webster at The Renaissance. The Frank ...

ARTICLE: ALBUM REVIEW

Jay Leonhart: Joy

Read "Joy" reviewed by Angelo Leonardi

Quando c'è una relazione padre/figlio tra due artisti, si usa in genere la figura del genitore per presentare il figlio. Per il giovane pubblico del jazz è invece opportuno fare il contrario, dicendo che l'ottantenne bassista leader di questo trio è il padre di Michael, trombettista e orchestratore acclamato per gli album The Painted Lady Suite ...

ARTICLE: UNDER THE RADAR

The Rebel Festival

Read "The Rebel Festival" reviewed by Karl Ackermann

On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...

ARTICLE: ALBUM REVIEW

Gerald Beckett: Mood

Read "Mood" reviewed by Chris M. Slawecki

Flautist, bandleader and composer Gerald Beckett picks up on Mood where he left off from 2017's Oblivion (Summit), a stellar collection of songs by Miles Davis, Ellis Marsalis, Astor Piazzolla, Gerry Mulligan and other great jazz composers. Beckett wrote several new originals for his new Mood, including personal remembrances of hometown haunts such as “Club Raven" ...

ARTICLE: RADIO

John Scofield, McCoy Tyner, Miles Davis and More

Read "John Scofield, McCoy Tyner, Miles Davis and More" reviewed by Joe Dimino

This week we speak with legendary jazz guitarist John Scofield and profile his new CD Swallow Tales. We also dig into brand new material from Rudresh Mahanthappa, Lolly Allen and Anne Mette Iversen. Enjoy the jazz, friends. Playlist John Scofield “Falling Grace" Swallow Tales (ECM) 00:00 Host talks 5:43 Gerry Mulligan and Stan Getz ...

NEWS: VIDEO / DVD

Gerry Muligan: Four Videos

Gerry Muligan: Four Videos

Yesterday, I had an afternoon visit with Gerry Mulligan. I began listening to his piano-less quartet in 1952, then his tentet in '53 followed by his groups with Bob Brookmeyer starting in 1954. The stuff still enchants with a fresh, clean, swinging sound. Which, of course, led me to YouTube. Here are four Mulligan clips, three ...

Places in Space, in Time

Read "Places in Space, in Time" reviewed by Chris M. Slawecki

Abraham Inc. Together We Stand Table Pounding Music 2019 “Ever since I formed Klezmer Madness! in the mid 1990's I've been exploring the possibilities of adding funk, jazz, and lately hip-hop influences to klezmer," explains David Krakauer, an expert clarinet voice in jazz, klezmer and classical ...

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May

Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

ARTICLE: INTERVIEW

John Scofield: One For Swallow

Read "John Scofield: One For Swallow" reviewed by Ian Patterson

From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...


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