Home » Jazz Articles » Album Review » Soul Sugar: Chase The Light (Excursions in Soul, Reggae,...
Soul Sugar: Chase The Light (Excursions in Soul, Reggae, Funk, and Dub)
Keyboard player Guillaume "Gee" Méténier, who specializes in vintage keyboards such as Clavinet, Fender Rhodes, and especially the B3 Hammond organ leads Soul Sugar. Méténier is a disciple of Dr. Lonnie Smith (with whom he regularly studies organ) and is influenced by great organ players from Jimmy Smith to Jimmy McGriff to Jack McDuff to Booker T, Art Neville, Bernie Worrell, and Jackie Mittoo. He also runs Gee Recordings, and puts out a slew of delicious 45s there.
I love how Chase The Light (Excursions in Soul, Reggae, Funk, and Dub) easily flows back and forth between reggae, dub, funk and soul. It's totally fresh and modern music, and yet it's foundation is firmly in the superb 70s music that came out of Jamaica. It also pays homage to the deep, instrumental Funk of 1970s America.
"Take A Chance" and "All I Know" feature Courtney John on vocals. He's the best singer from Jamaica these days. He has a rootsy style, and soulful falsetto that's irresistible. Each song on the album has a cool Dub version, and these are two of the best because of how they bring Courtney John's haunting vocals in and out.
"Take A Chance" even features a Hammond organ solo from Dr Lonnie Smith!
"Why Can't We Live Together" with Leonardo Carmichael on vocals is more neo-soul than reggae, and yet it perfectly balances the two. It also has a groovy "Superfly" vibe to it. And, there's an important message of unity in there that reminds me of Marvin Gaye's "What's Goin' On."
The rest of the record is comprised of intriguing instrumentals.
"Get Up & Get It" is a cover version of a Jackie Mittoo classic. It's a groovy Meters-esque style tune with that funky New Orleans shuffle. Dope drums in the pocket kick it off, as organ, and wah-wah join in the fun.
"Big Car" is the other Jackie Mittoo cover tune. It's basically a reggae instrumental version of "Be Thankful for What You Got" by William DeVaughn. Its dub version is mind-blowing too.
"East Of The River Nile" is an exciting 21st century re-work of the Augustus Pablo dub classic. One of the all-time best songs for smoking marijuana, this timeless tune gets an update with deep drumming, and dope guitar flourishes, in addition to the melodica sound and dubbed out keys.
"19 Miles To Kingston" is an intoxicating Guillaume "Gee" Méténier original in the style of Augustus Pablo. It's got plenty of haunting melodica, and mind-blowing organ grooves.
"Mellow Mood" is actually a cover of a Jimmy Smith & Wes Montgomery jazz song. Soul Sugar gives it the reggae soul treatment, and makes it into an astonishing modern song that's part reggae, part funky jazz, and too-cool to categorize. And once again, the far-out dub version just makes the whole vibe twice as cool.
Chase The Light (Excursions in Soul, Reggae, Funk, and Dub) is one of my favorite albums of 2017 because of the way it blends roots reggae with soul music, funk, and jazz. The breathtaking dub songs serve to double the pleasure of each song on the album. Soul Sugar is an immensely talented band that's making provocative, original music from a blueprint of the classic music I love mostand for that I thank them.
Track Listing
Take A Chance; Big Car; East Of The River Nile; 19 Miles To Kingston; Why Can't We Live Together; Mellow Mood; All I Know; Get Up & Get It
Personnel
Guillaume "Gee" Méténier: Hammond organ; Thomas Naim: guitar; Yvo Abadi: drums and percussion; Jahno: drums and percussion; Leonardo Carmichael: vocals; Courtney John: vocals
Album information
Title: Chase The Light (Excursions in Soul, Reggae, Funk, and Dub) | Year Released: 2017 | Record Label: Gee Recordings
About Soul Sugar
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







