The cello has never been a prominent instrument in jazz, but for decades there have always been musicians who have tried to explore its potential in improvisational contexts. Here are current releases from two of them.
Erik Friedlander A Queens' Firefly Skiptone
2022 Erik Friedlander
's album shows the possibilities in a cello serving as lead instrument in a jazz quartet. He fronts an excellent group with Uri Caine
on piano, Mark Helias
on bass, and Ches Smith
on drums in a session that covers a lot of ground. Their music is flowing and serene on "Little Daily Miracles." sharp and funky on "Match Strikes" and swooping and manic on the Hebrew-tinged melody of "Chandelier." Whether playing pizzicato or using his bow, Friedlander plays with sharpness and dexterity. His arco work over the swaying beat of "Glimmer" is particularly strong. "A Quiet Radiance" is the prettiest piece in the set, a gentle melody outlined by the leader. both with and without his bow, and beautifully fleshed out by Caine's folksy solo. The pianist is a sympathetic foil for Friedlander throughout the session while Helias and Smith do their part with their usual class and sensitivity.
Janel Leppin Ensemble Volcanic Ash Cuneiform
Janel Leppin is a Washington, DC-based cellist and composer who uses a wide range of instrumentation on this album. She features harp, saxophones, and electric guitar in a varied set of music. There are pieces like "Her Hand Is His Score" and "A Palace For Alice" where Leppin's cello dives into an ethereal swirl involving harp, alto sax, or guitar but that is contrasted by harder-edged material. "Woven Forest" is built on a heavy swaying beat reminiscent of Julius Hemphill
's "Dogon A.D.," The deep rhythmic groove sets the stage for the spiritual blast of Brian Settles
' tenor saxophone which in turn makes way for cranked up and squealing rock guitar by Anthony Pirog
, Leppin's long-time musical partner and husband.
"Clarity" comes more out of the realm of Alice Coltrane
with the intricate weave of Kim Sator's harp, Luke Stewart
's bass, and Larry Ferguson
's drums giving way to powerful bowed soloing by Leppin and hypnotic alto by Sarah Hughes
. That combination of delicacy and aggression reoccurs throughout the album. "She Had Synesthesia" begins with a precise chamber music arrangement before Pirog invades with hammering guitar chords while "Volcano Song" rises out of a gentle alto and cello line into an undulating Middle Eastern vamp where the tenor and guitar soar and spiral into classic Sixties raga-rock territory.
All the members of this ensemble get their chance to shine through Leppin's dense but expertly arranged works. For all its variety of sounds, Leppin gives this music a strong unity of vision and purpose. This mystical combination of jazz, rock, meditation, and psychedelia is one of 2022's strongest recordings.
Tracks and PersonnelA Queens' Firefly
Tracks: A Queens' Firefly; Match Strikes; Chandelier; Glimmer, Little Daily Miracles; Aurora; A Simple Radiance; The Fire In You.
Personnel: Erik Friedlander: cello; Uri Caine: piano; Mark Helias: bass; Ches Smith. Ensemble Volcanic Ash
Tracks: Children of the Water; Woven Forest; She Had Synesthesia; I Pose; Her Hand Is HIs Score; Silvia's Path; Volcano Song; Clarity; A Palace for Alice; Leaving the Woods.
Personnel: Janel Leppin: cello, keyboards; Luke Stewart: bass; Kim Sator: harp; Anthony Pirog: guitar; Larry Ferguson: drums; Sarah Hughes: alto saxophone; Brian Settles: tenor saxophone.
For the Love of Jazz
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles
for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today