Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


Bill Evans on meeting Miles

Nenette Evans By

Sign in to view read count
Miles Davis said: "Bill left the band in 1958 and went down to Louisiana to live with his brother. Then he came back after a while and formed his own group. After a while he got Scott LaFaro on bass and Paul Motian on drums and he became very popular with that group, winning a number of Grammy Awards. He was a great little pianist, but I don't think he ever sounded as good after that as he did when he played with me." 1

Bill Evans said to Randi Hultin from her book Born under the Sign of Jazz (Sanctuary Publishing, 2003), "Although I thought it was a great experience to play with Miles Davis, I've always had this urge to work as an independent."

The only time I met Miles was in the mid-80's in San Diego, California. He was playing at a large outdoor amphitheater-type venue called Humphrey's By The Bay. I went with Fonje, my partner, and Maxine and Evan.

It happened to be a school night, Evan was about 9 years old and Maxine about 18. It was a long trip, late in the evening, and not exactly convenient. Even though I rarely went to concerts in the '80s, I felt that I had to make an effort to meet him for the sake of the history between Miles and Bill. And for Evan. Evan was an ace trumpet player and first chair in every school orchestra in which he played.

We watched the concert, then we were invited backstage at the break. I remember Evan being somewhat frightened by Miles's look which was, perhaps to some, on the flamboyant side. His hair was done in dreadlocks and he donned a white flowing robe, and loose fitting attire. Standard Miles.

The visitation

The last time Bill had spoken to me about Miles was in 1978-79 when Bill went to Miles's NYC apartment to say hello. Bill was accompanied by a close personal friend, whose identity I will not reveal. I gathered that it had been many years since Bill and Miles were last face to face.

In fact, Bill did mention that the last time before this meeting that he had seen Miles was when they were both nominated for a Grammy. So that would have been in 1968.

Miles was nominated for Miles Smiles and Bill for Further Conversations with Myself. The actual winner that night was Julian "Cannonball" Adderley Quintet for Mercy, Mercy, Mercy.

That night, Bill said that Miles had stormed out in a huff. Grammy awards can be touchy affairs.

In the late '70s, Bill said that Miles was currently holed-up in his New York apartment with the covered windows. This was (drug) code for a certain level of paranoia, I guess.

Bill told me that when they got there with his lady friend, the first thing Miles said to him was about the woman he was with was "Who's the Jew-bitch?" I really don't know what else may have been said at that meeting or don't recall. Bill seemed very glad to have seen him, I gathered.

Just as an aside regarding the Grammy Awards. I have the following recollection. Bill was out of town in March of 1975, so he asked me to go in his stead. I asked Joan Wise, drummer Arnie Wise's wife to go with me. I was wearing a long, sheer, paisley-printed caftan which was cinched high above the waist, as I was just beginning to show from the pregnancy.

Bill had been nominated for Fantasy Records, The Tokyo Concert record that year. Others nominees included Keith Jarrett, Oscar Peterson, Freddie Hubbard and McCoy Tyner. So, it was Joan and I and these heavyweights of jazz seated around a large circular table, waiting for the announcements and having dinner.

I had never met any of these musicians before, so I only spoke to Joan who was seated next to me. The thing that sticks in my head the most is that not one musician spoke a word to anyone else, the entire evening.

The winners that evening were Oscar Peterson, Joe Pass and Niels-Henning Orsted Pedersen for The Trio album).

Backstage at Humphrey's continued:

Miles was extremely cordial and happy to see us, I thought. I was surprised that his voice was so tiny; stature diminutive and skin desiccated, taut. To me, he appeared delicate, vulnerable. Whatever the mystique about Miles was, was lost on me, a non-jazz person per se.

He liked me just as Bill said he would, whatever that meant. Bill always thought we'd be a good match. He said that on a number of occasions. After I had said one caustic thing or another, Bill would say, "You should meet Miles." I see the humor in that now.

There was a large spread of colorful fruit and sandwiches on a long table near the wall. Miles's sons were walking in and out of the backstage reception area. Miles was sitting on a couch, drawing.

Then he stands up, moves close to me and asks in that whispery voice, "How long has Bill been dead?"


Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

CD/LP/Track Review
DVD/Film Reviews
Jazz Raconteurs
DVD/Film Reviews
Bailey's Bundles
CD/LP/Track Review
Building a Jazz Library
The Vinyl Post
CD/LP/Track Review
CD/LP/Track Review
Read more articles
Another Time: The Hilversum Concert

Another Time: The...

Resonance Records

Bill Evans – Another Time: The Hilversum Concert

Bill Evans –...

Resonance Records

On A Monday Evening

On A Monday Evening

Fantasy Jazz

Some Other Time: The Lost Session From the Black Forest

Some Other Time: The...

Resonance Records

The Ivory Hunters

The Ivory Hunters

Phoenix Jazz Records


Related Articles

Read Chick Remembers Miles Jazz Raconteurs
Chick Remembers Miles
by Scott H. Thompson
Published: May 26, 2017
Read Larry Coryell: Free Spirit and Pioneer Jazz Raconteurs
Larry Coryell: Free Spirit and Pioneer
by Steve Khan
Published: February 28, 2017
Read Bill Evans on meeting Miles Jazz Raconteurs
Bill Evans on meeting Miles
by Nenette Evans
Published: February 15, 2017
Read As Dizzy's World Turns Jazz Raconteurs
As Dizzy's World Turns
by Michael Bourne
Published: January 5, 2017
Read Live Trane: Never Before, Never After Jazz Raconteurs
Live Trane: Never Before, Never After
by David Liebman
Published: September 23, 2016
Read David Weiss: Memories of Freddie Hubbard Jazz Raconteurs
David Weiss: Memories of Freddie Hubbard
by David Weiss
Published: August 29, 2016
Read "Ella Fitzgerald Sings The Cole Porter Song Book" Getting Into Jazz Ella Fitzgerald Sings The Cole Porter Song Book
by Mark Barnett
Published: December 15, 2017
Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4" Big Band Report Los Angeles Jazz Institute Festival - Woodchopper's...
by Simon Pilbrow
Published: September 22, 2018
Read "A Conversation with Kosi" Radio A Conversation with Kosi
by Lorens Chuno
Published: October 14, 2018