Jazz Articles about Yelena Eckemoff
About Yelena Eckemoff
Instrument: Piano
Article Coverage | Calendar | Albums | Photos | Similar ArtistsYelena Eckemoff: I Am a Stranger in This World
by Mark Sullivan
Russian-born pianist/composer Yelena Eckemoff began setting verses from the Bible's Book of Psalms shortly after her conversion to Christianity, even before her emigration to the United States. But she waited until she had considerable experience working with jazz musicians before producing her jazz arrangements. They were first recorded on her album Better Than Gold and Silver [L&H Production, 2018], which presented ten Psalm settings in both vocal and instrumental versions. The detailed story of how Yelena Eckemoff came to set ...
read moreYelena Eckemoff: Colors live at KITO Bremen
by Mark Sullivan
Composer and pianist Yelena Eckemoff's Colors (L&H Production, 2019) was a duet with drummer Manu Katché, a unique instrumentation in her ever-growing list of works. His contributions were so singular that when she had an opportunity to celebrate the album release by playing the music live at KITO in Bremen, Germany in 2019, and he could not make the gig, she opted to play solo rather than hire another drummer. It was the first time in about 15 years that ...
read moreYelena Eckemoff: Adventures of the Wildflower
by Mark Sullivan
The last time composer/pianist Yelena Eckemoff recorded in Finland she led a quintet on Blooming Tall Phlox (L&H Production, 2017). The program was devoted to smells, particularly the phlox flower and other scents remembered from childhood. Here she returns to Finland with a sextet (including several returning players, basically the entire rhythm section) and a related concept: the life cycle of a wildflower. The mood of the music is well captured in the smiling band photo on the back of ...
read moreYelena Eckemoff: Adventures of the Wildflower
by Dan McClenaghan
The seeds of pianist-composer Yelena Eckemoff's Adventures Of The Wildflower were planted in 2013, when she traveled to Hollola, Finland, to record Blooming Tall Phlox (L&H Productions, 2017) with a group of young Finnish musicians. Several Eckemoff albums came about after that recording, but the experience with her Finnish friends must have exerted a sort of gravitational pull, and in 2019 she made a return trip to the country to team with vibraphonist Panu Savolainen, bassist Antti Lotjonen and drummer ...
read moreYelena Eckemoff: Nocturnal Animals
by Mark Sullivan
Pianist-composer Yelena Eckemoff is predictably unpredictable. After an early series of piano trio albums she worked with larger ensembles, culminating in the sextet (plus vocalists) of Better Than Gold And Silver (L&H, 2018). After cutting back to a duet with drummer Manu Katché on Colors (L&H, 2019) she returns with a larger band, but with a difference; this is a quartet with double bassist Arild Andersen (her longest collaborator), and drummer/percussionists Jon Christensen and Thomas Strønen. It may ...
read moreYelena Eckemoff: Nocturnal Animals
by Dan McClenaghan
"You're busy appearing or you're busy disappearing." Drummer-bandleader Art Blakey may have said that; if he didn't, he should have. Somebody had to express the importance of presenting your work, for getting it out there to an audience. This goes for virtually any artist in any medium. Double down on that for people who create jazz. Pianist Yelena Eckemoff rolls with the “busy appearing" concept. She is prolific; since her debut recording , Cold Sun (L & H, ...
read moreJason Palmer, Charlie Rouse, Bennie Moten & More
by Joe Dimino
This week we start with the well-established and talented Russian-born jazz pianist Yelena Eckemoff and from there we continue to delve into new jazz releases with Jason Palmer and Native Soul. We profile the talented saxophonist Benjamin Boone with work off his CD The Poetry of Jazz Volume 2 featuring the late great poet Phillip Levine. We also keep that poetry mentality going strong with jazz singer Lisa Bernstein paying homage to Cecil Taylor on the one-year anniversary of his ...
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