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Mark Werlin's Notable Hi-Res Releases in 2018

by Mark Werlin
2018 has been a good year for jazz music in hi-res audio formats. ECM, Songlines, Intakt, ACT Music, Firehouse 12, Foné, Mack Avenue, TRPTK, and other independent labels released newly-recorded and recent catalog albums in high resolution through download vendors, Bandcamp, and the labels' own websites. One US music vendor lists more than 300 jazz titles that became available as hi-res downloads in 2018. High resolution audio has become increasingly affordable and widespread, with hi-res DACs included in portable and ...
Continue ReadingWes Montgomery: In Paris: The Definitive ORTF Recording

by Maurizio Comandini
27 marzo 1965. Parigi, Teatro dei Champs--Élysées. Il quartetto di Wes Montgomery si esibisce per gli appassionati parigini e conferma di essere uno dei gruppi più interessanti del momento. Il sassofonista Johnny Griffin si aggiunge in tre brani e si alterna al chitarrista per assoli scoppiettanti e carichi di guizzi improvvisi e colpi d'ala maestosi. Il chitarrista di Indianapolis era nel pieno della sua maturità artistica, aveva 42 anni (compiuti ventun giorni prima) e sfortunatamente gli restavano solo tre anni ...
Continue ReadingWes Montgomery: Wes Montgomery In Paris

by Franz A. Matzner
With Resonance Records' release of Wes Montgomery in Paris 1965, we receive not only the first official production of this classic concert to provide royalties to the Montgomery family, but also a gloriously remastered portrait of a seminal jazz contributor during a pivotal period of artistic history. Lovingly appointed with extensive commentary and an abundance of historic photos, the two-disc album documents the astounding concert by Wes Montgomery in Paris, which featured Montgomery backed by an astute working ...
Continue ReadingWes Montgomery: In Paris: The Definitive ORTF Recording

by C. Michael Bailey
Zev Feldman has called Resonance Records, The house Bill Evans and Wes Montgomery built." That may be hyperbolic, but the label has liberated from obscurity many previously unreleased or rarely heard performances by the two artists. Regarding Montgomery, Resonance has released four Montgomery recordings to date: Echoes of Indiana Avenue (Resonance, 2012); In The Beginning (Resonance, 2015); One Night in Indy (Resonance, 2016); and Smokin' in Seattle: Live At the Penthouse 1966 (Resonance, 2017). The label now adds a diamond ...
Continue ReadingWes Montgomery: One Night in Indy

by C. Michael Bailey
In the Resonance Wes Montgomery catalog, One Night in Indy: Featuring the Eddie Higgins Trio (2016) falls in between In The Beginning (Resonance, 2015) and Smokin' in Seattle: Live At the Penthouse 1966 (Resonance, 2017). It is documentation of Montgomery, appearing with the Eddie Higgins Trio at the Indianapolis Jazz Club, January 18, 1959. These performances, not previously released, fall chronologically between In The Beginning and Wes Montgomery: Beginnings (Blue Note, 1959). the Wes Montgomery Trio (Riverside, 1959); The Incredible ...
Continue ReadingFull House

by C. Michael Bailey
Wes Montgomery's recording of his June 25, 1962 live performance at the Tsubo Jazz Club in Berkeley, California intersects significantly with two recent Resonance releases. One intersection involves the Wynton Kelly trio, comprised of pianist Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. It was with this same trio that Montgomery would record his essential Wynton Kelly Trio with Wes Montgomery: Smokin' at the Half Note (Verve, 1965) and then, later, be captured with on Smokin' in Seattle: Live At ...
Continue ReadingWes Montgomery: In Paris: The Definitive ORTF Recording

by Geno Thackara
Resonance Records has done it again--where it is polishing up an old find for the great-sounding and excellently-presented (and not least, legitimate) release it deserves. As par for the label's course, this package boasts quality mastering and a top-notch insert of liner notes, photos and background commentary. It also marks this famous performance's first authorized release honoring the rights of the artist's estate and family. And what a performance it is. Wes Montgomery listeners who haven't hunted down ...
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