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Orrin Evans: The Magic of Now
by C. Andrew Hovan
The pandemic brought with it a shift in sensibilities for many musicians as they navigated new and unfamiliar waters. There were pros and cons of all this activity, with many streaming events and weighty recording projects taking place. Few of the albums coming from that period speak with such authority and freshness as the set at hand. Pianist Evans assembled a trio with bassist Vicente Archer and drummer Bill Stewart back in 2014 for a festival performance and hoped to ...
Continue ReadingOrrin Evans: The Magic of Now
by Mike Jurkovic
Timing is everything, the old masters teach. So pianist/composer/bandleader Orrin Evans drops the brazen The Magic of Now just in time. Just in time for the world to open up, renew its commitment, and move forward. Just in time for all to engage in those necessary conversations about civil upkeep. Put plainly, The Magic of Now is the music to lead the charge. A whirlwind of perpetual buoyancy and boundless risk aversion, the eight easeful dances defining The ...
Continue ReadingRobert Glasper: Canvas
by Chris May
Of the three dozen albums released in Blue Note's 180gm vinyl Blue Note 80 reissue series, Robert Glasper's 2005 debut, Canvas, is the only one recorded in the twenty-first century. Almost all of the other releases were recorded during Blue Note's 1950s and 1960s belle epoque. It is a singular distinction and an appropriate one, for several reasons. Top of the list is Glasper's place in jazz's piano trio lineage. Since Bill Evans elevated piano trios to ...
Continue ReadingRobert Glasper: Canvas
by Abe Pollack
Many young jazz musicians are no strangers to pop music. More familiar with Radiohead's Kid A and Public Enemy than Jerome Kern or Cole Porter, they have become increasingly more adventurous in an attempt to make jazz a commodity for the 21st Century. Unlike glossy pop covers from the '80s, Robert Glasper uses subtlety to explore late-20th Century music. This is no surprise. Having performed with Q-Tip, Bilal and Meshell Ndegeocello, Glasper finds comfort and room to ...
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by Mark F. Turner
In addition to unveiling gems from the past like John Coltrane and Thelonious Monk's At Carnegie Hall, Blue Note continues to spotlight the musicians of present with recordings like Robert Glasper's Canvas. Similar to Jason Moran, Jacky Terrasson, and Bill Charlap, who also record for Blue Note, Glasper has the vision and ability to create a fresh statement within the jazz piano idiom. Following on the heels of his well received 2004 debut, Mood, this recording continues to reveal his ...
Continue ReadingRobert Glasper: Canvas
by Woodrow Wilkins
Robert Glasper Canvas Blue Note Records 2005
Wow! That's the first expression that came to mind when I heard Rise and Shine, the opening track on Canvas. Pianist Robert Glasper's trio--including Vicente Archer on bass and Damion Reid on drums--is as tight as a unit can. This aptly named tune, sure to help many a dreary eye awaken, sizzles from start to finish. And it's just a prelude of things to come.The ...
Continue ReadingRobert Glasper: Canvas
by Paul Olson
Houston-raised, New York-based pianist Robert Glasper's Blue Note debut is only his second CD as a leader, but one would be hard pressed to find a single argument against his being ready for the big-time jazz limelight. The 67 minutes of music on Canvas are packed with richly memorable compositions, virtuosic playing, unassumingly exotic harmony and superlative group interplay. It's the most startlingly fine debut on Blue Note in quite a while.This is, for the most part, a ...
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