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Jazz Articles about Thomas Strønen
Thomas Stronen: Lucus
by Mike Jurkovic
With a minimalist sense of minutes moving--elegantly, stubbornly, inexplicably--veteran drummer/percussionist/composer Thomas Strønen's music mutates from chamber abstractions to dream orchestrations on Lucus, his second outing on ECM. Space, and the shadows it reveals and then envelopes, is the driving force behind Lucus and, indeed, the players in Time Is a Blind Guide, the name given to Stronen's almost otherworldly quintet of collaborators. Pianist Ayumi Tanaka and violinist Hakon Aåse are the primary soloists giving voice and flight to ...
Continue ReadingThomas Stronen: Time Is A Blind Guide
by Neri Pollastri
Affermatosi con Food, gruppo elettrico che guida da anni assieme al sassofonista Iain Ballamy (clicca qui per leggere la recensione del loro ultimo album, This Is Not a Miracle), il batterista norvegese Thomas Strønen presenta qui il primo lavoro della sua nuova formazione denominata come l'album stesso Time Is a Blind Guide. Si tratta di un ensemble britannico-norvegese, interamente acustico e dalla composizione piuttosto sorprendente: accanto alla batteria e alle percussioni del leader figurano infatti un pianoforte, tre ...
Continue ReadingTime Is A Blind Guide
by John Kelman
Over the past couple of decades, Thomas Strønen has become, perhaps, best-known for his unfettered improvisational forays in electro-centric contexts: sometimes freewheeling and frenetic, as in Humcrush, the drummer/percussionist/electronics wizard's hardcore duo with his similarly inclined Norwegian partner, keyboardist Ståle Storløkken (and occasional guest, singer Sidsel Endresen); other times more spaciously ambient in the atmospheric Anglo/Norwegian collaboration, Food—initially a quartet that has, since releasing Last Supper (Rune Grammofon, 2005), whittled down to a core duo with British saxophonist Iain Ballamy, ...
Continue ReadingThomas Stronen's Time is a Blind Guide & Elephant9: Oslo, Norway, March 20-21, 2013
by John Kelman
When you've got some time to kill between two festivals--in this case, Burghausen, Germany's B-Jazz Festival and Vossa Jazz in Voss, Norway, the following weekend--there are few better places to do it than Oslo, a city that supports live music better than most cities in the world, with the possible exception of New York. Oslo's residents don't seem to care much whether it's a Saturday night or a Wednesday night; if there's a good show going on, you can count ...
Continue ReadingThomas Stronen: The Tin Drum
by Adriana Carcu
One of Norway's most prolific drummers, sampling percussionists and composers, Thomas Strønen is the co-founder of Food, along with British saxophonist Iain Ballamy. The group--which, since 2005, has whittled down from an original quartet that also featured Norwegians Arve Henriksen on trumpet and Mats Eilertsen on bass--released its most recent record, Quiet Inlet, in 2010 (its first for the German ECM label), and regularly includes guests that vary from one show to the next. It is this special element that ...
Continue ReadingTone Ase / Thomas Stronen: Voxpheria
by Eyal Hareuveni
The covers of Norwegian label Gigafon, designed by bassist Rune Nergaard, send an unsettling message. The cover of Voxpheria is no different, with its alien scenery and what looks like a homage to Norwegian thriller writer Jo Nesbø's invented torture instrument, Leopold's apple, taken from his The Leopard (Harvill Secker, 2011). And indeed, the highly personal, poetic soundscapes of vocal artist Tone Åse-- known for her trio Bol and the experimental all-female vocal ensemble Trondheim Voices--and prolific ...
Continue ReadingMonsters and Puppets: Monsters and Puppets
by Eyal Hareuveni
Monsters and Puppets features two prolific and versatile musicians in the Norwegian jazz scene-- keyboardist Maria Kannegaard and drummer Thomas Strønen, both of whom have been playing together since 1997 in the Kannegaard Trio, with the Trondheim Jazz Orchestra and, recently, in vocalist Ingrid Lode's outfit Billy Fy. This new duo was formed after the two musicians were asked to play a duo set at Molde Jazz Festival. A few days later this completely freely improvised session was recorded.
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