Jazz Articles about Thomas Morgan

About Thomas Morgan

Album Review

Blue Note Records has a history of boasting strong stables of players. In the 1950s and 60s, we could look to Art Blakey and the Jazz Messengers, trumpeter Lee Morgan, pianist Herbie Hancock, saxophonist Wayne Shorter--and if ever there was an incomplete list compiled, that one is it. Time rolls on. Twenty years (or thereabouts) into the new millennium, the label hosts an all-star roster once again--pianist Gerald Clayton, saxophonist Melissa Aldana, sax man Immanuel Wilkins, guitarist Julian Lage, and--to ...

Album Review

Jacob Garchik: Assembly

Read "Assembly" reviewed by Hrayr Attarian

by Hrayr Attarian
July 17, 2022

Trombonist and composer Jacob Garchik is versatile and restlessly inventive. His past work has ranged from a brass-only orchestra to a guitar-heavy ensemble as well as a unique take on gospel music. His sixth release, the provocative Assembly, evokes film soundtracks with a touch of fantasy. The nine originals make a cohesive whole with a creative momentum which does not slack. The opening track “Collage" has two distinct layers; in the background Garchik and soprano saxophonist Sam Newsome ...

Album Review

Jacob Garchik: Assembly

Read "Assembly" reviewed by John Chacona

by John Chacona
June 7, 2022

Trombonist Jacob Garchik has an interest in musical subtraction. His 2012 release The Heavens: The Atheist Gospel Trombone Album (Yestereve Records) presented religious music stripped of religion. Clear Line (Yestereve Records) from 2020 featured a 13-piece big band with no rhythm section. Now comes Assembly, an inquiry into what a jazz quintet sounds like when added to itself. Garchik declares both method and intent in his song titles; the first three cuts are “Collage," “Pastiche" and “Bricolage." The ...

Album Review

Jacob Garchik: Assembly

Read "Assembly" reviewed by Mark Corroto

by Mark Corroto
May 28, 2022

As a consequence of the global pandemic, we have been schooled in the science of virology. Under certain conditions viruses mutate and reorganize into something completely new. That is bad. Mutations can also be heard in the adventurous music of Jacob Garchik. That is good. His trombone leads his Atheist Gospel Trombone Album, his big band, plus Banda de los Muertos, a Mexican brass band. He can be heard in ensembles lead by Anna Webber, Henry Threadgill, Mary Halvorson, John ...

Album Review

Chet Doxas: You Can't Take It With You

Read "You Can't Take It With You" reviewed by Jerome Wilson

by Jerome Wilson
December 12, 2021

Tenor saxophonist Chet Doxas has been getting attention in recent years by collaborating with prominent musicians such as Dave Douglas and Carla Bley. On this album he explores his own compositions in a trio with two sympathetic partners, pianist Ethan Iverson and bassist Thomas Morgan. Doxas' music here falls into one of two general styles, slippery blues-inflected pieces reminiscent of Jimmy Giuffre's trios with Jim Hall or more abstract work where the three musicians take on roles complementary to each ...

Album Review

Jen Shyu and Jade Tongue: Zero Grasses: Ritual for The Losses

Read "Zero Grasses: Ritual for The Losses" reviewed by Hrayr Attarian

by Hrayr Attarian
July 28, 2021

Calling vocalist and multi-instrumentalist Jen Shyu brilliant, and her style unique, underestimates both her ingenuity as a composer and the distinctiveness of her oeuvre. Shyu has forged her own path in creative music with an intrepid spirit and restless innovation. Her eighth release as a leader is the intensely personal Zero Grasses: Ritual For The Losses. A cycle of songs which is equally about bereavement and injustice as it is about solace and hope, its message transcends the individual, reaching ...

Album Review

Dahveed Behroozi: Echoes

Read "Echoes" reviewed by Dan McClenaghan

by Dan McClenaghan
June 7, 2021

On his sophomore effort, West Coast-based pianist Dahveed Behroozi goes into a deeply atmospheric mode on Echoes. He is joined by a pair of blue ribbon sidemen in this piano trio affair. Drummer Billy Mintz, as a drummer-texturalist, is in a league with past greats Paul Motian and Jon Christensen, creating off-kilter, unsettled weather systems of his own, whether on one of his own too-infrequent recording or his work with pianist Roberta Piket, saxophonist John Gross, or pianist Hal Galper. ...