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Jazz Articles about Thomas Morgan
Dahveed Behroozi: Echoes
by Dan McClenaghan
On his sophomore effort, West Coast-based pianist Dahveed Behroozi goes into a deeply atmospheric mode on Echoes. He is joined by a pair of blue ribbon sidemen in this piano trio affair. Drummer Billy Mintz, as a drummer-texturalist, is in a league with past greats Paul Motian and Jon Christensen, creating off-kilter, unsettled weather systems of his own, whether on one of his own too-infrequent recording or his work with pianist Roberta Piket, saxophonist John Gross, or pianist Hal Galper. ...
Continue ReadingRon Miles: Rainbow Sign
by Mario Calvitti
Per il suo esordio su etichetta Blue Note, il trombettista Ron Miles riunisce nuovamente il quintetto stellare con cui aveva inciso il precedente I Am a Man, Bill Frisell alla chitarra, Brian Blade alla batteria, Jason Moran al piano e Thomas Morgan al contrabbasso. Il gruppo era a sua volta l'evoluzione di un trio con Frisell e Blade che aveva già realizzato due album, Quiver e Circuit Rider, per non parlare di Heaven in duo con Frisell oltre alle numerose ...
Continue ReadingDan McCarthy: A Place Where We Once Lived
by Friedrich Kunzmann
In light of Dan McCarthy's stunning new effort, the vibraphonist's last two outings, Abstract City (Origin Records, 2019) and Epoch (Origin Records, 2019), can be regarded as statements of intent. Both more than noteworthy musical offerings at opposite ends of the jazz spectrum (discussed on All About Jazz here ), the two albums give followers a good idea of Dan McCarthy's flawless craftsmanship and wide range. On A Place Where We Once Lived the Canadian vibraphonist combines the lyrical melodic ...
Continue ReadingRon Miles: Rainbow Sign
by Paul Rauch
Denver-based cornetist Ron Miles seemed to turn an important creative corner with the release of his last album, I Am a Man (Yellowbird, 2017). With a stellar band in tow, he seemed to have gathered the elements to produce something very original. This was not an easy task, considering the ardent individuality represented by the session's participants. Indeed, guitarist Bill Frisell, pianist Jason Moran, drummer Brian Blade and bassist Thomas Morgan had all made major impressions on the landscape of ...
Continue ReadingRon Miles: Rainbow Sign
by Ian Patterson
The symbolism of the rainbow varies from one culture to the next, and not all interpretations are positive, but the notion of the rainbow as a pathway between this life and the afterlife is perhaps the most pertinent for Ron Miles. Rainbow Sign, the Blue Note debut of the Colorado-based cornetist, was mostly written as his father was passing away in the summer of 2018, so it is no surprise that the music has a reflective, poignant quality. Reunited with ...
Continue ReadingBill Frisell: Valentine
by Angelo Leonardi
Pur confermando in pieno l'identità stilistica del chitarrista, il nuovo disco di Bill Frisell si rivela sottilmente imprevedibile: spiazza forse un po' l'ascoltatore ma lo coinvolge intensamente nella mente e nel cuore. Pubblicato il 14 agosto dalla Blue Note, Valentine è la prima incisione ufficiale del trio con Thomas Morgan e Rudy Royston, attivo da alcuni anni in ambito concertistico. Com'è noto, la recente attività artistica di Frisell l'ha visto coinvolto in altri progetti: i lucidissimi ...
Continue ReadingBill Frisell: Valentine
by Ian Patterson
In an extraordinarily varied career Bill Frisell has made just a handful of trio recordings as leader, which is perhaps surprising given how frequently he performs in such a setting. In recent years the Baltimore-born, Denver-raised guitarist has toured two of his most empathetic trios, that with Kenny Wollesen and Tony Scherr and, latterly, with Rudy Royston and Thomas Morgan but, until now, without venturing into the studio. Valentine marks the studio debut of the Frisell, Royston and Morgan trio, ...
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