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Kelly Green: Eat Your Greens
by Andrew Schinder
Orlando, Florida-reared vocalist-pianist Kelly Green boasts one of the most distinctive styles in modern jazz, combining unique approaches to both the piano and the voice to create a satisfying, pleasurable experience for the listener. Green approaches each song as if she has a story to tell, emphasizing lyricism as much as range, but with the melodic approach of a pianist. Green, therefore, naturally emphasizes musicianship on her sixth album, Eat Your Greens. A substantial, and impressive, group of ...
Continue Reading...Jon De Lucia: The Brubeck Octet Project Strikes Again!
by Pierre Giroux
There is something deeply satisfying about hearing music that has sat quietly in the shadows for decades, finally given a chance to be heard. That is the pleasure offered by alto saxophonist Jon De Lucia's The Brubeck Octet Project Strikes Again!, the second release from his acclaimed octet. More than a nostalgic return to an important period in jazz history, it also explores fresh musical territory. The cool-jazz sensibility and West Coast refinement are certainly present, but they share the ...
Continue Reading...Jon De Lucia: The Brubeck Octet Project Strikes Again!
by Jack Bowers
After his recording of The Brubeck Octet Project earned widespread approval and acclaim in 2024, saxophonist and jazz historian Jon De Lucia did not rest on those laurels; instead, he delved even more deeply into the original octet's archives and unearthed eleven little-known arrangements that form the basis of a second blockbuster album, The Brubeck Octet Project Strikes Again! And what a strike it is--every inch as perceptive and impressive as De Lucia's earlier survey of the Dave Brubeck Octet, ...
Continue Reading...Maria Schneider Orchestra: American Crow
by Dan McClenaghan
Maria Schneider has a thing for birds. Credible sources have reported sightings of the jazz composer frequenting Central Park wearing a floppy hat, a pair of binoculars hanging from her neck. Her 20-plus minute Cerulean Skies," from her album (one of her masterpieces) Sky Blue (ArtistShare, 2007) speaks to her love for birds; her fascination with their migratory nature and their arduous flights, which span continents and beyond. The composition Bluebird," from the Our Natural World"' half of her 2-disc ...
Continue Reading...Album Review
Ryan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue Reading...Ryan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue Reading...Ryan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
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