Jazz Articles about Scott Colley

About Scott Colley

Album Review

Benjamin Koppel: White Buses: Passage To Freedom

Read "White Buses: Passage To Freedom" reviewed by Angelo Leonardi

by Angelo Leonardi
May 31, 2024

Il sassofonista e compositore Benjamin Koppel è uno dei massimi jazzmen danesi: in trent'anni di carriera ha inciso più di sessanta dischi con i massimi nomi del jazz contemporaneo e il suo nome spicca per il trio con Scott Colley e Brian Blade e per il quartetto con Colley, Kenny Werner e Jack DeJohnette (The Art of the Quartet, Cowbell 2020). Questo progetto è stato registrato a New York coinvolgendo altri statunitensi (Uri Caine, Antonio Sánchez, Thana ...

Album Review

Benjamin Koppel: White Buses: Passage To Freedom

Read "White Buses: Passage To Freedom" reviewed by Doug Collette

by Doug Collette
December 28, 2023

If saxophonist/composer/bandleader Benjamin Koppel has proven anything over the last few years, it is that he has no trouble finding sources of inspiration for his work. Whether it is just for the sake of blowing with a redoubtable rhythm section in the form of bassist Scott Colley and drummer Brian Blade on Perspective (Cowbell Music, 2023) or illustrating his own range of style with The Ultimate Soul & Jazz Revue (Cowbell Music, 2020) and The Art of The ...

Liner Notes

Christian Howes & Richard Galliano: Southern Exposure

by Howard Mandel
July 27, 2023

Christian Howes wants you to know that Southern Exposure is not simply another violin and accordion record, some light-hearted evocation of Parisian café music. “It's deeper than that," Howes, the 40-year-old violinist who is also an educator and online entrepreneur, says of his 13th album (counting self-produced projects from the 1990s). “I think there's a lot of passion on the record. There's a sort of tragic feel to some of it. “It's distinguished by the fact ...

Album Review

Billy Childs: The Winds of Change

Read "The Winds of Change" reviewed by Neil Duggan

by Neil Duggan
May 13, 2023

Billy Childs, one of the most critically acclaimed pianists in modern jazz, is in high demand as a modern classical composer. He has played and composed music ranging from orchestral to chamber works to contemporary small ensemble jazz. This has brought him five Grammy awards to date. Starting as a pianist in his native Los Angeles, he then spent six years with Freddie Hubbard's band before becoming a leader in his own right. He has performed with a ...

Album Review

Chris Potter: Got The Keys To The Kingdom: Live At The Village Vanguard

Read "Got The Keys To The Kingdom: Live At The Village Vanguard" reviewed by Ian Patterson

by Ian Patterson
March 24, 2023

The title references an old gospel song, but for Chris Potter the keys in question could be those to the Village Vanguard. This is the saxophonist's third live recording from jazz's most storied club, not counting those with Paul Motian. For musicians and fans alike, this is hallowed turf. But it's not just about playing at The Village Vanguard. Documenting those dates is key--a rite of passage, to judge by the dozens of revered jazz musicians who have made live ...

Album Review

John Bailey: Time Bandits

Read "Time Bandits" reviewed by Jack Bowers

by Jack Bowers
February 22, 2023

After working and recording for decades with some of the jazz world's best and brightest talents, trumpeter John Bailey released his first album as leader of his own group in 2018, the second in 2020 and, in 2023, his third, Time Bandits, which shares a name but nothing more with Terry Gilliam's 1981 film fantasy. Bailey leads an all-star quartet on this one, firmly anchored by drummer Victor Lewis (the timekeeper on all of Bailey's albums) and ...

Album Review

Chris Potter: Got The Keys To The Kingdom (Live At The Village Vanguard)

Read "Got The Keys To The Kingdom (Live At The Village Vanguard)" reviewed by Chris May

by Chris May
January 26, 2023

There is a lot of heavy ordnance going off during this album. Indeed, the incoming only lets up once, and then briefly, during a performance of Billy Strayhorn's “Blood Count" at the halfway point. For the rest of the sixty-one minutes playing time, the watchword is eruptive. But no PPE is required. The barrage is benign. This is the third album Chris Potter has recorded live at the Vanguard. The attraction is no surprise. Saxophonists, especially those ...