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Christine Jensen Jazz Orchestra: Harbour
by Scott Lichtman
There's something special about Christine Jensen Jazz Orchestra's Harbour. Foremost, the album builds on Jensen's acknowledged talent as master composer for over 25 years. She writes songs that stimulate the emotions as well as the intellect, and she arranges them using rich, cross-instrumental blends and fresh, punctuated motifs. While Jensen already has won JUNO awards in Canada for best jazz album, Harbour raises the bar. That is because it is inspired by deeply personal themes and because her ...
Continue ReadingJazzLab Orchestra: Loguslabusmuzikus
by Angelo Leonardi
Jazzlab Orchestra è un medio organico costituito da tre ance e due ottoni in varie combinazioni, più una sezione ritmica con pianoforte. Opera da quasi due decenni nel Quebec (Canada), ha pubblicato sette album, collaborato con jazzmen statunitensi di primo piano (Ted Nash, Seamus Blake, Donny McCaslin, Rufus Reid) e dato svariati concerti in Nord America e in Europa, compresa l'Italia (la Casa del Jazz). La caratteristica principale dell'ottetto è la versatilità: grazie alle ottime doti individuali e ...
Continue ReadingJazzLab Orchestra: Loguslabusmuzikus
by Chris M. Slawecki
Jazzlab Orchestra has been a fixture on the jazz scene in Canada for nearly two decades. Their unique heavy sound features six brass and reed players with a relatively standard piano, bass and drum rhythm section, and they've captured that sound on several standalone recordings and presented it on more than 300 concert stages across North America and Europe. The music on Loguslabusmuzikus, nine new pieces written by bassist Auguste Le Prez under the subtitle “The New Experience: ...
Continue ReadingJazzlab Orchestra: Loguslabusmuzikus
by Jack Bowers
The Jazzlab Orchestra, formed in 2004 and based in Montreal, Canada, lies somewhere short of orchestra-size. It's actually an octet—but don't let that deter you; the unison passages are generally robust and pleasing. Jazzlab does play jazz of a sort, music that may best be described as contemporary cerebral. In other words, this is not akin to the Dave Pell or Marty Paich octets; it's more along the lines of Gunther Schuller, Jan Garbarek or William Russo. But even though ...
Continue ReadingSamuel Blais/David Liebman: Cycling
by Dan Bilawsky
There's no accounting for how great music comes together on record. Sometimes everything is meticulously laid out for months or years in advance, as artists use planning and implementation to their advantage in the creative process; other times, sparks just fly at spur of the moment sessions. Cycling falls into the latter category. In October of 2012, saxophonist Samuel Blais organized a quartet tour that found him working alongside three of his favorite saxophonists--David Binney, Donny McCaslin, ...
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