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Album Review

Ryan Truesdell: Shades of Sound

Read "Shades of Sound" reviewed by Angelo Leonardi


Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...

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Album Review

Ryan Truesdell / Gil Evans Project: Shades Of Sound

Read "Shades Of Sound" reviewed by Jack Kenny


Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...

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Album Review

Ryan Truesdell: Shades Of Sound

Read "Shades Of Sound" reviewed by Pierre Giroux


Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...

Album Review

Ryan Truesdell: Synthesis: The String Quartet Sessions

Read "Synthesis: The String Quartet Sessions" reviewed by Angelo Leonardi


«L'idea di Synthesis--dice Ryan Truesdell presentando il progetto--è nata dalla consapevolezza che molti compositori di jazz traggono ispirazione dalla scrittura per quartetto d'archi di eminenti compositori classici come Bartok, Brahms e Ravel, e dalla necessità di trovare un modo realistico e al tempo stesso stimolante per creare musica insieme». Il giovane orchestratore, divenuto famoso per aver dato vita a inedite partiture di Gil Evans, presenta un progetto di 17 composizioni per quartetto d'archi (alcune in forma di ...

Album Review

Ryan Truesdell's Gil Evans Project: Lines of Color

Read "Lines of Color" reviewed by Maurizio Comandini


Ryan Truesdell continua nella sua opera di esplorazione dell'universo di Gil Evans con un secondo album che fa seguito all'ottimo Centennial: Newly Discover Works by Gil Evans pubblicato da ArtistShare nel 2012. Un album molto ben accolto dalla critica e dal pubblico, al punto di aver addirittura vinto un Grammy Award. Per questo Lines of Color vengono utilizzati brani registrati dal vivo al Jazz Standard di New York, a metà maggio del 2014, dove l'orchestra diretta da Truesdell si era ...

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Album Review

Ryan Truesdell Gil Evans Project: Lines of Color

Read "Lines of Color" reviewed by Dan McClenaghan


The biggest ribbons in composer/arranger Gil Evans' (1912-1988) resume are three groundbreaking Columbia Records albums he recorded with trumpeter Miles Davis: Miles Ahead (1958); Porgy and Bess (1959); and Sketches of Spain (1960). These were orchestral jazz of the finest caliber, recorded a decade after Evans' earlier work with Davis on the seminal Capitol Records set Birth of the Cool, released in 1957. Evans' charts--written with the the inclusion of the then unusual (in jazz) French horns and the then ...

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Album Review

Ryan Truesdell's Gil Evans Project: Lines Of Color

Read "Lines Of Color" reviewed by Dan Bilawsky


How do you create a follow-up to an album like Centennial-Newly Discovered Works Of Gil Evans (Artist Share, 2012)? That beauty--the debut from Ryan Truesdell's Gil Evans Project--was more than a standout record; it was an artistic tour de force and a recording for the ages. In crafting that album, Truesdell married his archeological skills, curatorial instincts, arranger's eyes and ears, organizational savvy, and profound respect for the Gil Evans legacy. All of those aspects are also wedded on this ...


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