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About Ryan Truesdell
The Gil Evans Project at Birdland
by Paul Reynolds
The Gil Evans Project Birdland Sketches of Spain and Porgy and Bess New York NY May 27 and May 30, 2026 Among the many celebrations of Miles Davis during his centennial week, it's hard to rival the ambition of Ryan Truesdell's fine five-night takeover of the main room at Birdland to present Sketches Of Spain (Legacy Recordings, 1960) and Porgy and Bess (Columbia Records, 1959), two of the classic big-band collaborations between the trumpeter and ...
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Ryan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
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Ryan Truesdell: Synthesis: The String Quartet Sessions
by Angelo Leonardi
«L'idea di Synthesis--dice Ryan Truesdell presentando il progetto--è nata dalla consapevolezza che molti compositori di jazz traggono ispirazione dalla scrittura per quartetto d'archi di eminenti compositori classici come Bartok, Brahms e Ravel, e dalla necessità di trovare un modo realistico e al tempo stesso stimolante per creare musica insieme». Il giovane orchestratore, divenuto famoso per aver dato vita a inedite partiture di Gil Evans, presenta un progetto di 17 composizioni per quartetto d'archi (alcune in forma di ...
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Ryan Truesdell's Gil Evans Project: Lines of Color
by Maurizio Comandini
Ryan Truesdell continua nella sua opera di esplorazione dell'universo di Gil Evans con un secondo album che fa seguito all'ottimo Centennial: Newly Discover Works by Gil Evans pubblicato da ArtistShare nel 2012. Un album molto ben accolto dalla critica e dal pubblico, al punto di aver addirittura vinto un Grammy Award. Per questo Lines of Color vengono utilizzati brani registrati dal vivo al Jazz Standard di New York, a metà maggio del 2014, dove l'orchestra diretta da Truesdell si era ...
Continue ReadingRyan Truesdell Gil Evans Project: Lines of Color
by Dan McClenaghan
The biggest ribbons in composer/arranger Gil Evans' (1912-1988) resume are three groundbreaking Columbia Records albums he recorded with trumpeter Miles Davis: Miles Ahead (1958); Porgy and Bess (1959); and Sketches of Spain (1960). These were orchestral jazz of the finest caliber, recorded a decade after Evans' earlier work with Davis on the seminal Capitol Records set Birth of the Cool, released in 1957. Evans' charts--written with the the inclusion of the then unusual (in jazz) French horns and the then ...
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