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Jazz Articles about Roy Haynes


About Roy Haynes

4

Interview

Roy Haynes Revisited

Read "Roy Haynes Revisited" reviewed by AAJ Staff

by AAJ Staff

This article was first published on All About Jazz in January 1999. Roy Haynes is one of the few living legends remaining in jazz. He has been awarded the Danish Jazzpar prize, Grammys, and numerous other awards and polls. Haynes is the most versatile drummer in jazz history, do in most part to his playing with Lester Young, Charlie Parker, John Coltrane, Sarah Vaughan, Ella Fitzgerald, Billie Holiday, Horace Tapscott, Miles Davis, Lennie Tristano, Lee Konitz, Thelonious Monk, ...

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1

Album Review

Archie Shepp: The Way Ahead, Kwanza, The Magic of Ju-ju Revisited

Read "The Way Ahead, Kwanza, The Magic of Ju-ju Revisited" reviewed by Stefano Merighi

by Stefano Merighi

In questa compilation dedicata ad un periodo importante di Archie Shepp, si dovrebbe iniziare l'ascolto dalla fine. Infatti, i quasi venti minuti di “The Magic of Ju-Ju," posti in chiusura del CD, sono dell'aprile 1967; il resto del repertorio è invece stato inciso nel biennio successivo. Pur non riuscendo a comprendere il criterio con cui si assemblano questi cataloghi sonori, è indubbiamente utile comparare alcuni lavori vicini eppure assai differenti di un autore come Shepp, all'epoca sugli scudi ...

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Album Review

Eric Dolphy: Outward Bound To Out To Lunch Revisited

Read "Outward Bound To Out To Lunch Revisited" reviewed by Stefano Merighi

by Stefano Merighi

Il valore incalcolabile dell'opera di Eric Dolphy sta passando un po' in secondo piano nel nostro tempo di ascolti rapidi e deconcentrati. Ben venga allora questa edizione, anche se rimane la perplessità dell'accorpare due dischi che pochissimo hanno in comune e che sono comunque ancora a disposizione negli ottimi originali. Dal 1960 al 1964 (anno della scomparsa), Dolphy ha attraversato un mondo sonoro denso, sfaccettato, rimanendo se stesso sia accanto a Mingus che a Russell, sia nelle sabbie ...

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11

Album Review

Phineas Newborn, Jr.: A World of Piano!

Read "A World of Piano!" reviewed by Richard J Salvucci

by Richard J Salvucci

Did a critic ever accuse classical concert pianist Martha Argerich of displaying too much technique while playing Ravel? It is hardly an idle question as Argerich, one of the most gifted pianists in history, plays Ravel beautifully precisely because she has the technique to do so. She could not play “Sonatine" or “Gaspard de la Nuit"--fearsomely difficult, say pianists--if she did not. The beauty is inseparable from the technique; and the technique part of the beauty. This is ...

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23

Album Review

Art Farmer: Portrait of Art Farmer

Read "Portrait of Art Farmer" reviewed by Richard J Salvucci

by Richard J Salvucci

When a recording that is over six decades old sets a listener to thinking many different things, it is clearly something special. Art Farmer was something special. With a bump or two along the way, virtually everyone--except perhaps Art--knew it too. He and his twin brother, bassist Addison Farmer, began their careers in Los Angeles in the '40s, where the Central Avenue bop scene was an especially vibrant and creative one. As if total immersion there was not enough, Art ...

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10

Album Review

Dorothy Ashby: With Strings Attached, 1957-1965

Read "With Strings Attached, 1957-1965" reviewed by John Chacona

by John Chacona

Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where virtually none has existed before and established it as a legitimate and expressive vehicle for jazz improvisation at the highest level. Just how brilliantly ...

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13

Album Review

Eric Dolphy: Outward Bound To Out To Lunch Revisited

Read "Outward Bound To Out To Lunch Revisited" reviewed by John Eyles

by John Eyles

Ask any jazz aficionado for their favourite jazz albums of the '60s and the chances are that, alongside such decade-defining choices as Jimmy Giuffre's Free Fall (Columbia, 1963), John Coltrane's A Love Supreme (Impulse, 1965), Andrew Hill's Point of Departure (Blue Note, 1965) and Albert Ayler's Spiritual Unity (ESP, 1965), they will select Eric Dolphy's Out to Lunch (Blue Note, 1964). Now the Dolphy classic has been reissued on Ezz-thetics alongside one of his older recordings, Outward Bound (Prestige, 1964), ...

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