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About Ron Carter
Reflections on the Newport Jazz Festival
by Mark Robbins
It's not just about the music. It's about the morning 15 minute water taxi ride and asking the passengers who they're excited to see and hear. It's seeing Fort Adams, knowing the history that has been made there and more than likely the history that will be made there. It's seeing old friends, photographers I've been photographing with for the past 15 years. it's the mingling aromas of freshly cooked bar-b-que, lobster rolls, pizzas, seafood and so much more. It's ...
Continue Reading...Hank Crawford: Help Me Make It Through The Night
by Arnaldo DeSouteiro
One of the first artists signed by Creed Taylor for CTI's subsidiary Kudu label, Hank Crawford suffered violent criticism during the period (1971-1978) he recorded for the label, being accused of making mellow and commercial albums. On the other hand, Hank achieved a new level of popularity during his CTI/Kudu years. Some of the eight albums he cut for the label sold over 100,000 copies with almost no promotion. And his Kudu debut, Help Me Make It Through The Night, ...
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Alan Shorter: Mephistopholes to Orgasm Revisited
by Stefano Merighi
In questo CD dedicato ad Alan Shorter (tromba, flicorno, composizione) si ripropongono le sedute integrali di Orgasm (1968), precedute però da Mephistopheles," di tre anni precedente, che figurava nella scaletta di The All Seeing Eye, del più celebre fratello Wayne. È un pezzo di una cupezza angosciante, sostenuto da un pedale ritmico minaccioso, dalle cui spire fioriscono severi interventi dei fiati e delle percussioni. Con i due fratelli Shorter, suonano James Spaulding (alto), Freddie Hubbard (tromba), Grachan Moncur III (trombone), ...
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Tadd Dameron: Fontainebleau & Magic Touch Revisited
by Maurizio Zerbo
Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i trasporti di chorus di The Scene Is Clean," nonché i quattro movimenti di Fontainebleau" che non contengono una sola nota improvvisata, forniscono prove tangibili ...
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Don Ellis: How Time Passes to Essence Revisited
by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di Essence, risalente al 1962. Il trombettista losangelino aveva appena compiuto 26 anni e registrava il primo album accompagnato dal pianista Jaki Byard, ...
Continue Reading...Florian Arbenz, Michael Arbenz, Ron Carter: The Alpine Session: Arbenz vs. Arbenz Meets Ron Carter
by Neil Duggan
1937 was a landmark year: the Golden Gate Bridge opened and Edward VIII abdicated the British throne. In jazz, Billie Holiday made her debut with Count Basie and Dizzy Gillespie began his recording career. It was also the year Ron Carter, the most-recorded jazz bassist in history, was born. With over 2000 recording sessions to his name, many of them on iconic albums, he could be forgiven for putting his feet up and reflecting on past glories, but that is ...
Continue Reading...Miles In France 1963 & 1964: The Bootleg Series Vol. 8
by Doug Collette
At the very same time Beatlemania was slowly but surely beginning to engulf the globe, Miles Davis was inexorably proceeding toward what was the most adventurous music of his career. Miles In France -The Bootleg Series Vol. 8 captures a group of musicians led by The Man with the Horn" on the threshold of forming what is referred to as his second great quintet, then actually coalescing into that stellar outfit. And the drama within that designation rapidly ...
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