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Orrin Evans and the Captain Black Big Band: Walk A Mile In My Shoe

by Steve Plever
A glance through the track list--with covers of Stevie Wonder and Marvin Gaye and two swing-era vocal standards--could give you the wrong impression. Yes, this is a very accessible and soulful album, but it is serious and heartfelt jazz, with Orrin Evans' personal stamp making it work. Blues, soul and gospel sounds share the stage here with swing, straight-ahead and avant-garde influences--no surprise given Evans' decade of playing with the Mingus Big Band. Evans' piano sets the tone ...
Continue ReadingReggie Watkins: Rivers

by Paul Rauch
Jazz on an international scale is actually just a network of smaller, local jazz scenes that in 2025 exist in virtually every nation on earth. Most of the music happens on the local scene, where the closest of musical alliances are formed. Trombonist Reggie Watkins has managed to take us to that sacred place on his fourth album as a leader. Rivers (BYNK, 2025). Needless to say, Rivers" can refer to the geographic location of Watkins' adopted home ...
Continue ReadingOrrin Evans and the Captain Black Big Band: Walk A Mile In My Shoe

by Angelo Leonardi
Il nuovo disco di Orrin Evans e della sua Captain Black Big Band ci ricorda l'importanza delle radici per la comunità musicale afroamericana: il gospel, il blues, le big band, i cantanti e strumentisti storici. Una risorsa che è anche identità collettiva e forza culturale. Come ha sempre fatto in passato, il pianista e bandleader di Philadelphia s'ispira alla tradizione per rinnovarla e arricchirla, con passione e freschezza. Stavolta le orchestrazioni sono funzionali alle interpretazioni di quattro prodigiosi ...
Continue ReadingOrrin Evans and the Captain Black Big Band: The Intangible Between

by Paul Rauch
Pianist Orrin Evans has a deep understanding of the unshakeable bond between fellowship, humanity and the creative process. That knowledge has guided him through creating a remarkable catalog of music as both a leader and sideman, along the way, experiencing the fellowship of a collective of musicians he often refers to as The Village." The Village is indeed real, and most aptly expressed musically through the The Captain Black Big Band, Evans' ensemble of anywhere between nine and ...
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