Jazz Articles about Petra Haden

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Petra Haden, Bill Frisell, Jimmy Heath, Jorge Roeder & More

by Ludovico Granvassu
September 8, 2020

As we continue our exploration of the best in new and upcoming jazz, this week we look into a unique project featuring the music of John Zorn and lyrics of Jesse Harris written with the unique voice of Petra Haden in mind, a special album that blends beautifully with the new releases by Bill Frisell, Jorge Roeder and Ron Miles, Jimmy Heath's musical testament, a Spinal-Tappy jazz take on the music of Black Sabbath and much more. Happy ...

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Petra Haden, Jesse Harris: Seemed Like A Good Idea - Petra Haden Sings Jesse Harris

by Luca Muchetti
October 11, 2016

Al crocevia di molti percorsi che di jazz hanno in realtà molto poco, e guardano piuttosto al folk contemporaneo e al pop acustico incontriamo questo album, frutto dell'unione artistica della violinista e cantante Petra Haden e del chitarrista Jesse Harris. Seemed Like a Good Idea è un disco tutto all'insegna della leggerezza, nel senso migliore del termine. “Autumn Song," posta in apertura, sembra un manifesto programmatico delle atmosfere dell'album. E la conferma arriva poco dopo, nelle pieghe ...

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Petra Haden/Bill Frisell: Petra Haden and Bill Frisell

by John Kelman
February 5, 2005

Working with singers is nothing new to the ubiquitous and stylistically impossible-to-pigeonhole guitarist Bill Frisell. But whereas his '95 collaboration with Elvis Costello, Deep Dead Blue , was a live recording, stark in its simple meeting of one voice and one guitar, Frisell's latest teaming with Petra Haden, daughter of legendary bassist Charlie, and singer/violinist for that dog, is an altogether more produced affair. Petra Haden and Bill Frisell finds both Frisell and Haden building layer upon layer of sound, ...

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Petra Haden and Bill Frisell: Petra Haden and Bill Frisell

by Mark Sabbatini
February 1, 2005

Opinions about the self-titled Petra Haden and Bill Frisell will likely depend on whether the latter gives listeners the Willies or they find the guitarist Unspeakable. Those attracted by his mellow heartland meditations on The Willies (Nonesuch, 2002) will likely enjoy it; those shunning it in favor of his eclectic modernism on Unspeakable (Nonesuch, 2004) may find it too tame. This assumes, of course, that there's also an interest in hearing the frilly vocals of Petra Haden.

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