Jazz Articles about Peter Schlamb

About Peter Schlamb

Album Review

Here is a quartet with an interesting makeup: leader Chris Hazelton on Hammond B3 organ backed by saxophone, vibraphone and drums. It is a sizable departure from the norm, one that can separate an album from the herd and lend it a bracing and singular voice or, if not managed properly, lead to series of relatively tame and colorless themes that fall rather short of the group's capacity and purpose. In Rotation, Kansas City native Hazelton's second album, ...

Album Review

Travis Reuter: Quintet Music

Read "Quintet Music" reviewed by Glenn Astarita

by Glenn Astarita
June 8, 2024

Released as the long-anticipated encore to his avant-garde debut, Rotational Templates (New Focus, 2011), Travis Reuter's Quintet Music is a masterpiece of musical sorcery, brimming with bold invention and innovative creativity. Reuter, a maverick guitarist who is unafraid to color outside the lines, leads his band of equally audacious virtuosos through a sonic wonderland that most musicians only dare to visit in dreams. The quintet, with Peter Schlamb swapping the traditional piano for the vibraphone, tosses the jazz ...

Album Review

Stephen Martin: High Plains

Read "High Plains" reviewed by Jack Bowers

by Jack Bowers
February 5, 2022

Every so often, Missouri-bred saxophonist Stephen Martin bears witness to his main man, the late John Coltrane. But, for the most part, he is his own man on his second album as a leader, blowing hot, cool and earnestly on the quartet date, High Plains. Martin's disposition is decidedly contemporary, as he shows whether playing alone or with his special guests, alto saxophonist Bobby Watson (on Benny Golson's “Stablemates") or tenor saxophonist Matt Otto (on Otto's “Euphony"), two of the ...

Album Review

Logan Richardson: AfroFuturism

Read "AfroFuturism" reviewed by Chris May

by Chris May
February 26, 2021

In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: “Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift. Warning! That album sounds positively conservative compared to the paradigm-shattering monster AfroFuturism. Among the latest album's various conceptual references, either intended ...