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Jazz Articles about Peter Bruun


About Peter Bruun

19

Album Review

Django Bates: Tenacity

Read "Tenacity" reviewed by Pat Youngspiel

by Pat Youngspiel

Few jazz artists go to such great lengths to make their audience feel at the same time bewildered by humor-infused technical exhaustion and smitten by charm and sheer musical beauty as Django Bates does. The English pianist and composer has gained a reputation over the years, for bringing the quirkiest and widest range of ideas and styles to a, more or less, aesthetically-serious art form. Some might even claim he's the Frank Zappa of jazz. Then again, who's to say ...

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20

Album Review

Django Bates: Tenacity

Read "Tenacity" reviewed by John Kelman

by John Kelman

It's been a long time since that late May, 2013 week in Luleå, Sweden, where pianist Django Bates and his Belovèd Trio first collaborated with the renowned Norrbotten Big Band. Fully documented in the All About Jazz article Django Bates: From Zero to Sixty in Five Days, Bates, bassist Petter Eldh and drummer Peter Bruun, along with other non-Norrbotteners, including guitarist Markus Pesonen, tubaist Daniel Herskedal and trombonist/vocalist Ashley Slater, made the lengthy trek to this small coastal town, located ...

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4

Album Review

Ocean Fanfare: First Nature

Read "First Nature" reviewed by Mark Corroto

by Mark Corroto

If you were to play a game of 'name that artist' while listening to the recording First Nature, roughly half of the contestants would identify the band as the Dave Douglas Quartet, not because Tomasz Dąbrowski has a derivative sound, but more as a compliment to his range and imagination. The Polish trumpeter, now a Scandinavian resident, penned half the compositions heard on this recording, and alto saxophonist Sven Dam Meinild the remainder. Dąbrowski's Danish quartet is rounded out by ...

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2

Album Review

Ocean Fanfare: First Nature

Read "First Nature" reviewed by Troy Dostert

by Troy Dostert

It can be difficult to keep up with trumpeter Tomasz Dabrowski. His incessant musical explorations have kept him in the forefront of European jazz since 2012, when he debuted his Tom Trio (ILK Music), the first of several different projects he has formed. Most recently he released Ninjazz (For Tune, 2018), a well-conceived outing featuring three like-minded Japanese musicians, which was both inventive and accessible. Here he returns to a group he started in 2013, Ocean Fanfare, which released Imagine ...

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