Jazz Articles about Paul Romaine

About Paul Romaine

Album Review

Even though the contours and boundaries of jazz have been substantially altered and recast through the years, it is good to know that some aspects of America's classical music remain basically unchanged, especially the propensity to design and use melodic, harmonic and rhythmic concepts as a springboard for group interaction and personal improvisation. On Reckless Meter, the Colorado-based co-op sextet Convergence blends the best of those criteria to produce an hour of bright and engaging contemporary jazz. While ...

Album Review

Convergence: Reckless Meter

Read "Reckless Meter" reviewed by Pierre Giroux

by Pierre Giroux
January 6, 2026

Colorado has long nurtured a quietly serious jazz scene, and Reckless Meter makes a compelling case that Convergence ranks among its most seasoned examples. This is not a band formed for convenience or novelty; it is an ensemble built through years of shared bandstands, rehearsals, and the kind of musical debates that foster trust. Pianist Eric Gunnison, trumpeter Greg Gisbert, saxophonist John Gunther, trombonist Mark Patterson, bassist Mark Simon, and drummer Paul Romaine perform here with the relaxed authority of ...

Album Review

Ted Piltzecker: Peace Vibes

Read "Peace Vibes" reviewed by Jack Bowers

by Jack Bowers
October 21, 2025

With the world desperately in need of more Peace Vibes in these times of seemingly endless strife and division, vibraphonist Ted Piltzecker is happy to oblige, putting his Colorado-based “quartet" to work on the problem via a series of bright and handsome themes whose gracefulness and charm are designed to calm even the most savage beast. The word quartet is placed between quotation marks because Piltzecker leads a quintet on at least two tracks and perhaps others; ...

Album Review

Dave Hanson: Blues Sky

Read "Blues Sky" reviewed by Dan McClenaghan

by Dan McClenaghan
March 25, 2025

Pianist Dave Hanson opens his Blue Sky with a joyful barnburner, “Two Masters," a tip of the hat to Bill Evans and Chick Corea, two of the biggest names in piano jazz. Hanson is probably best known for his work as composer-arranger and co-leader of Denver's H2 Big Band, but he pares things down on his Blues Sky album release, thanks in part to a weeklong artist-in-residence gig at Denver's Dazzle Jazz club, which allowed him to shape his sound ...

Album Review

Brad Goode: Polytonal Big Band: The Snake Charmer

Read "Polytonal Big Band: The Snake Charmer" reviewed by Jack Bowers

by Jack Bowers
February 22, 2025

"Polytonal," according to Webster's, denotes “the simultaneous use of two or more musical keys." Denver-based trumpeter and educator Brad Goode makes full use of that technique on The Snake Charmer, the debut recording by Goode's well-named Polytonal Big Band. When all has been written and played, two things are clear: first, Goode is a world-class big-band composer-arranger and master of his horn; and second, polytonality is simply a fresh approach to the music, one that in no way interferes with ...

Liner Notes

Brad Goode: Polytonal Big Band: The Snake Charmer

by Neil Tesser
January 15, 2025

I try to avoid hyperbole. I'm not all that comfortable out on a limb. But I'll still wager you've never come across a big-band album like this. Perhaps you've heard orchestras that use dissonance and unexpected note clusters as their operating system. Maybe you've encountered soloists who ply their playing with extended technique and postmodern pastiche, vividly escaping the gravitational pull of conventional composition. But I can't think of an album that combines these elements with the electric ...

Album Review

Ted Piltzecker: Vibes on a Breath

Read "Vibes on a Breath" reviewed by Jack Bowers

by Jack Bowers
September 22, 2023

Even though Ted Piltzecker is a splendid vibraphonist and ushers a group of Colorado's leading jazz musicians through its paces on Vibes on a Breath, it is his sparkling arrangements that carry the day on this delightful new album. Several members of Piltzecker's septet double, and he makes the most of that versatility, writing charts that bring to the fore John Gunther's bass clarinet, Wil Swindler's baritone sax and (on the closing number) Judith Leclair's bassoon and Javier Diaz's percussion. ...