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Jazz Articles about Patricia Brennan
Tomas Fujiwara 7 Poets Trio: Pith
by John Sharpe
In many ways, Pith, the second offering from drummer Tomas Fujiwara's 7 Poets Trio, pursues the course set by the eponymous debut (Rogue Art, 2020) with its lightly swinging lyricism, moments of reflective calm, and a restrained aesthetic which nonetheless permits adventurous forays. The unusual instrumentation, in which the leader supplements his trapset with Tomeka Reid's cello and Patricia Brennan's vibraphone, promotes a cool, airy feel, which at times recalls the chamber elegance and collective give and take of the ...
Continue ReadingMary Halvorson: Cloudward
by Mike Jurkovic
Guitarist, composer & raconteur Mary Halvorson could very comfortably (and rightfully) wear the sobriquet of “The Charles Mingus of Guitar" if she wanted to. But even that open-ended comparison would limit her as she outdoes herself again on Cloudward. Though it must surely be getting harder to top herself given the string of releases--the deliberately articulate schizophrenia Amaryllis and Belladonna (Nonesuch, 2022), the unbridled trio synergy Multicolored Midnight (Cunneiform, 2018), the crackling mad invention propelling 2018's Code Girl (Firehouse 12 ...
Continue ReadingJeff Lederer with Mary LaRose: Schoenberg on the Beach
by Jerome Wilson
Saxophonist Jeff Lederer has used several unexpected inspirations for musical projects over the years, such as Shaker hymns and the writings of Herman Melville. Schoenberg on the Beach may be the most audacious thing he has ever done. It blends the compositions of Arnold Schoenberg and Anton Webern and the sounds of Coney Island together into an intriguing song cycle performed by a team of exceptional jazz musicians. Schoenberg lived in Los Angeles in the latter part of ...
Continue ReadingTomas Fujiwara’s 7 Poets Trio: Pith
by Mark Corroto
The instructions that came with Tomas Fujiwara's 2019 release, 7 Poets Trio (RogueArt), read, “I'd like to tell you as little as possible about this music before you listen to it... and create your own scenes for which these songs can be soundtracks." The same advice is warranted for Fujiwara's 7 Poets Trio follow up recording Pith. Historically, the talented composer and drummer writes music with his band mate's individual voices in mind. He does so in ensembles ...
Continue ReadingPatricia Brennan: More Touch
by Mike Jurkovic
It's uncanny how More Touch, vibraphonist Patricia Brennan's scarily good follow-up to her head-turning debut Maquishti (Valley of Search, 2021) follows one around all day. Its essence is in the air, in the room, in the conversation. It sneaks around the corner and races down the stairs, out into the street, and breaks into any and all of the machinations that drive the day. Born of its own fevered animation, the music on More Touchis brazen. Atmospheric yet ...
Continue ReadingMary LaRose: Out Here
by Jerome Wilson
Vocalist Mary LaRose has long been putting vocals, with and without words, to the works of modern jazz composers such as Albert Ayler, Ornette Coleman, Charlie Haden and Eric Dolphy. This CD is her first full-length exploration of Dolphy, probing the free-wheeling elusiveness of his work with a group which includes several of the instruments he used in his recordings, cello, vibraphone, and bass clarinet. LaRose approaches Dolphy's music by putting lyrics to some tunes, singing wordlessly on ...
Continue ReadingMary LaRose: Out Here
by Mark Corroto
Vocalist Mary LaRose has explored the instrumental music of jazz artists in the past, penning lyrics to the music of Thelonious Monk,Ornette Coleman, Albert Ayler, and Charles Mingus. Also included in her previous releases is the music of Eric Dolphy, who has always been a spirit guide for LaRose. With Out Here, she dedicates an entire album to Dolphy's compositions, plus a couple pieces tied to his legacy. This session reminds you of the great Carmen McRae's Carmen ...
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