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Jon Irabagon: Server Farm
by Vincenzo Roggero
Quando un agitatore musicale come Jon Irabagon, mente tra le più aperte, corrosive, imprevedibili e significative della scena jazzistica statunitense mette insieme un tentetto da paura per esplorare fatti e misfatti dell'intelligenza artificiale, curiosità e aspettative sono ai massimi livelli. E questo Server Farm le soddisfa pienamente, ennesima prova della grandezza di un musicista onnivoro in grado di esaltare ed esaltarsi in tutta la gamma di formazioni messe in campo negli ultimi quindici anni. Dal sax solo di ...
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by John Sharpe
Artificial Intelligence would have a hard job pinning down saxophonist Jon Irabagon's defining characteristics. When a player is as talented as Irabagon, who can turn his hand to almost any style, sometimes the challenge is to find a focus that stimulates. On Server Farm, Irabagon has taken the notion of AI and the ever increasing prevalence of the digital world as his casus belli. Not that he uses AI himself in composing the album, rather as the PR reveals, he ...
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by Dan McClenaghan
"The times they are a-changin.'" Bob Dylan said that in 1964. He was right. In 2025, they are still changing, perhaps most notably with the emergence of artificial intelligence. That previously slow creep--outlined so accurately in Arthur C. Clarke's novel 2001: A Space Odyssey in 1968, paired with Stanely Kubrick's movie of the same name--will build to a tipping point leading to an implosion. The takeover is inevitable. The only way to address it is through the arts. This is ...
Continue ReadingJon Irabagon: Server Farm
by Mike Jurkovic
Warning! Warning! Heads up! Spoiler alert! Server Farm has the potential to take your head to some random places. Some alarming (as all artists should be these days), Some cacophonous. Some claustrophobic. Others freeing, fleeting, fervent. Server Farm, saxophonist/composer Jon Irabagon's heatedly precise and prescient head-on clash with the threat of AI blisters the binary codes and algorithms of the connected world (which makes us all individual heads of the Hydra) both surgically and haphazardly, letting it all ...
Continue ReadingMiguel Zenón: Golden City
by Alberto Bazzurro
La musica contenuta in questo album trae spunto da una commissione ricevuta da Miguel Zenón per la composizione di una suite basata sulla storia di San Francisco e della Bay Area, evidenziando in particolare i contributi offerti da parte delle comunità giapponese, cinese, messicana e, ovviamente, afroamericana. Ne è nata così questa Golden City, presentata in anteprima al San Francisco Jazz Center nel 2022 e incisa poi a fine novembre dell'anno seguente. Per l'occasione Zenón (portoricano, lo ricordiamo) ...
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by Dan McClenaghan
The alto saxophone rose to jazz prominence in the 1940s, under the influence of Charlie Parker and the birth of bebop. Important players such as Art Pepper, Lee Konitz and Ornette Coleman took the horn in their own directions, crafting distinctive alto saxophone voices. Moving ahead to the new millennium, no alto saxophonist has entered the tradition with more style and panache than Miguel Zenon. His Alma Aldentro: The Puerto Rican Songbook (Marsalis Music, 2011), Tipico (Miel Music, 2017) and ...
Continue ReadingVarious Guitarists: The Middle of Everywhere: Guitar Solos Vol. I
by Glenn Astarita
Produced by laudable guitarist/composer Joel Harrison and the Alternative Guitar Summit, The Middle of Everywhere: Guitar Solos Vol. 1 is a compelling exploration of the intersections between jazz, classical and world music traditions--think of it as a musical United Nations, where six-stringed diplomats from various genres come together to harmonize. In the album liners, Harrison states, “The idea for this project started when I presented a concert of virtual solo performances from around the world during the pandemic." Hence, it ...
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