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Dan Weiss Quartet: Unclassified Affections

by Vincenzo Roggero
Quartetto di grande pregio quello assemblato dal batterista e compositore Dan Weiss, con alcuni dei musicisti più in vista della scena newyorchese quali il trombettista Peter Evans, la vibrafonista Patricia Brennan e il chitarrista Miles Okazaki, già frequentati per anni in diversi contesti. Le otto composizioni, tutte a firma del leader, sono state scritte con questa formazione in mente e il risultato dimostra ampiamente la bontà della scelta, quasi sessanta minuti di musica di grande fascino, semplice e complessa nello ...
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by Troy Dostert
When he is not keeping company as a sideman with some of the most innovative musicians of 21st century creative jazz--a list which includes folks like pianist Matt Mitchell, saxophonist Jon Irabagon, guitarist Miles Okazaki and bassist Trevor Dunn--drummer Dan Weiss has steadily been building his own impressive set of recordings as a leader. Recently, he has tended to prefer trio configurations, such as those on his own Cygnus label: 2022's Dedication (with bassist Thomas Morgan and pianist Jacob Sacks) ...
Continue ReadingJon Irabagon: Server Farm

by Vincenzo Roggero
Quando un agitatore musicale come Jon Irabagon, mente tra le più aperte, corrosive, imprevedibili e significative della scena jazzistica statunitense mette insieme un tentetto da paura per esplorare fatti e misfatti dell'intelligenza artificiale, curiosità e aspettative sono ai massimi livelli. E questo Server Farm le soddisfa pienamente, ennesima prova della grandezza di un musicista onnivoro in grado di esaltare ed esaltarsi in tutta la gamma di formazioni messe in campo negli ultimi quindici anni. Dal sax solo di ...
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by John Sharpe
Artificial Intelligence would have a hard job pinning down saxophonist Jon Irabagon's defining characteristics. When a player is as talented as Irabagon, who can turn his hand to almost any style, sometimes the challenge is to find a focus that stimulates. On Server Farm, Irabagon has taken the notion of AI and the ever increasing prevalence of the digital world as his casus belli. Not that he uses AI himself in composing the album, rather as the PR reveals, he ...
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by Dan McClenaghan
"The times they are a-changin.'" Bob Dylan said that in 1964. He was right. In 2025, they are still changing, perhaps most notably with the emergence of artificial intelligence. That previously slow creep--outlined so accurately in Arthur C. Clarke's novel 2001: A Space Odyssey in 1968, paired with Stanely Kubrick's movie of the same name--will build to a tipping point leading to an implosion. The takeover is inevitable. The only way to address it is through the arts. This is ...
Continue ReadingJon Irabagon: Server Farm

by Mike Jurkovic
Warning! Warning! Heads up! Spoiler alert! Server Farm has the potential to take your head to some random places. Some alarming (as all artists should be these days), Some cacophonous. Some claustrophobic. Others freeing, fleeting, fervent. Server Farm, saxophonist/composer Jon Irabagon's heatedly precise and prescient head-on clash with the threat of AI blisters the binary codes and algorithms of the connected world (which makes us all individual heads of the Hydra) both surgically and haphazardly, letting it all ...
Continue ReadingMiguel Zenón: Golden City

by Alberto Bazzurro
La musica contenuta in questo album trae spunto da una commissione ricevuta da Miguel Zenón per la composizione di una suite basata sulla storia di San Francisco e della Bay Area, evidenziando in particolare i contributi offerti da parte delle comunità giapponese, cinese, messicana e, ovviamente, afroamericana. Ne è nata così questa Golden City, presentata in anteprima al San Francisco Jazz Center nel 2022 e incisa poi a fine novembre dell'anno seguente. Per l'occasione Zenón (portoricano, lo ricordiamo) ...
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