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Jazz Articles about Mike Westbrook


About Mike Westbrook

129

Album Review

Mike Westbrook Orchestra: The Cortege

Read "The Cortege" reviewed by Chris May

by Chris May

At its richest, pianist/composer Mike Westbrook's work is to jazz what grand opera, in the classical world, is to chamber music. The Cortege is Westbrook at his richest, leading a 17-piece orchestra through an ambitious and brilliantly realized suite, loosely themed around the idea of a funeral procession and its after-party. Thirty years after its first release on Original Records, The Cortege remains one of finest achievements of British orchestral jazz, and has been reissued as a two-CD set to ...

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341

Album Review

Mike Westbrook: Westbrook-Rossini

Read "Westbrook-Rossini" reviewed by Chris May

by Chris May

Whether you believe that opera is the loftiest manifestation of lyric art, or a bastard tradition typified by mannered singing, indifferent acting and an audience that would have Robespierre rubbing his hands in glee, there's no doubt that it has some great tunes. British composer and pianist/tuba player Mike Westbrook gathered a few of them together in the mid 1980s for this Rossini project.

Westbrook-Rossini grew out of a commission Westbrook received from a Swiss street-theatre company in ...

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311

Album Review

Mike Westbrook Orchestra: On Duke's Birthday

Read "On Duke's Birthday" reviewed by Chris May

by Chris May

Among the most characterful and singular British composer/bandleaders, Mike Westbrook is revered by the relative few who follow his music, but is woefully under-appreciated in the wider jazz world. In part, this is because Westbrook paints on a larger canvas than that used in most “conventional" orchestral jazz, frequently taking on projects with textural themes or dramaturgical production values. In part, it's because he is politically engaged and, starting with the early anti-war masterpieces Release (Deram, 1968) and Marching Song ...

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