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About Mike Westbrook
Mike Westbrook Orchestra: The Cortege
by Chris May
At its richest, pianist/composer Mike Westbrook's work is to jazz what grand opera, in the classical world, is to chamber music. The Cortege is Westbrook at his richest, leading a 17-piece orchestra through an ambitious and brilliantly realized suite, loosely themed around the idea of a funeral procession and its after-party. Thirty years after its first release on Original Records, The Cortege remains one of finest achievements of British orchestral jazz, and has been reissued as a two-CD set to ...
Continue Reading...Mike Westbrook: Westbrook-Rossini
by Chris May
Whether you believe that opera is the loftiest manifestation of lyric art, or a bastard tradition typified by mannered singing, indifferent acting and an audience that would have Robespierre rubbing his hands in glee, there's no doubt that it has some great tunes. British composer and pianist/tuba player Mike Westbrook gathered a few of them together in the mid 1980s for this Rossini project.
Westbrook-Rossini grew out of a commission Westbrook received from a Swiss street-theatre company in ...
Continue Reading...Mike Westbrook Orchestra: On Duke's Birthday
by Chris May
Among the most characterful and singular British composer/bandleaders, Mike Westbrook is revered by the relative few who follow his music, but is woefully under-appreciated in the wider jazz world. In part, this is because Westbrook paints on a larger canvas than that used in most conventional" orchestral jazz, frequently taking on projects with textural themes or dramaturgical production values. In part, it's because he is politically engaged and, starting with the early anti-war masterpieces Release (Deram, 1968) and Marching Song ...
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